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The Cultural Industries David Hesmondhalgh

The Cultural Industries von David Hesmondhalgh

The Cultural Industries David Hesmondhalgh


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Zusammenfassung

At once brilliant and accessible, it is without peer when it comes to detailing the big picture and complex nuances of how cultural industries work. Every student of the media should have this book on their shelf - Jennifer Holt, University of California

The Cultural Industries Zusammenfassung

The Cultural Industries David Hesmondhalgh

At once brilliant and accessible, it is without peer when it comes to detailing the big picture and complex nuances of how cultural industries work. Every student of the media should have this book on their shelf
- Jennifer Holt, University of California


Sometimes provocative, always insightful and refreshingly direct. No-one could study the culture industries without engaging with its vision and argumentation
- Sonia Livingstone, LSE


Comprehensive and critical, authoritative and analytical, this is a wonderful book that will absorb, stimulate and educate students of media and cultural studies for years to come
- Des Freedman, Goldsmiths, University of London


An exceptional achievement - for its scale, for its comprehensiveness, and for the level-headed intelligence that is the hallmark of Hesmondhalgh's writing
- Graeme Turner, University of Queensland


Undisputedly a classic, the third edition of this essential media studies text scrutinizes the changes in creative economy and cultural production in the global media. This book gives you:

  • Guided further reading that takes you directly to the must-read research articles and online resources
  • Brand new examples covering social media, digital publishing, reality TV and talent shows
  • Examples spotlighting the emerging markets in China, India, Asia and Africa
  • Analysis of the economic crisis and its impact on media structures and industries
  • Insight into new products and the influence on consumer electronics and IT companies, including Apple, Facebook and Google.

As one of the most read, most studied and most cited media studies texts, this new edition is a must for any student of media and communication studies, the creative industries, cultural studies and the sociology of the media.

The Cultural Industries Bewertungen

Hesmondhalgh has done it again! The 3rd edition of The Cultural Industries is a tour-de-force. At once brilliant and accessible, it is without peer when it comes to detailing the big picture and complex nuances of how cultural industries work. Hesmondalgh's updated, incisive analysis of the current era is exceptional, as is his masterful exploration of the fundamental theories and practices of cultural production. Every student of the media should have this book on their shelf.
Jennifer Holt
Associate Professor, University of California

In The Cultural Industries, David Hesmondhalgh sets out to assess, evaluate and explain recent changes in the cultural industries - and this he does with energy, acuity and aplomb. This book is sometimes provocative, always insightful and refreshingly direct. No-one could study the culture industries without engaging with its vision and argumentation. And this third edition is even better than before.
Sonia Livingstone
LSE, author of 'Media Regulation'

Comprehensive and critical, authoritative and analytical, this is a wonderful book that will absorb, stimulate and educate students of media and cultural studies for years to come. This new edition contains updated material as well as the same fresh and incisive lines of enquiry that we need in order to make sense of the changes and continuities inside the cultural industries.
Des Freedman
Department of Media and Communications, Goldsmiths College, University of London

From the very first edition, David Hesmondhalgh's Cultural Industries set the standard for a syncretic account that works across the terrains of cultural studies, media studies, and cultural policy studies. This new expanded and updated edition, distinguished by the particularly perceptive and critical integration of digital media into the account, is an exceptional achievement -- for its scale, for its comprehensiveness, and for the level-headed intelligence that is the hallmark of Hesmondhalgh's writing.
Professor Graeme Turner
Director of the Centre for Critical and Cultural Studies, The University of Queensland

This must-read text makes one realize how studying the people, organizations, and social policies that drive cultural industries can be important, fascinating - even exciting - especially in our profoundly changing media world.
Joseph Turow
Annenberg School of Communication, University of Pennsylvania

Über David Hesmondhalgh

David Hesmondhalgh is Professor of Media, Music and Culture in the School of Media and Communication at the University of Leeds. He is the author of The Cultural Industries (SAGE, 2019); Culture, Economy and Politics: The Case of New Labour (Palgrave, 2015, co-written with Kate Oakley, David Lee and Melissa Nisbett); Why Music Matters (Wiley-Blackwell, 2013); and Creative Labour: Media Work in Three Cultural Industries (Routledge, 2011, co-written with Sarah Baker). He is also editor or co-editor of eight other books or special journal issues on media, music and culture, including a special issue of Popular Communication (co-edited with Anamik Saha) on Race and Cultural Production; The Media and Social Theory (Routledge, co-edited with Jason Toynbee, 2008) and Media and Society, 6th edition (Bloomsbury, co-edited with James Curran, 2019). He was born and raised in Accrington, Lancashire, did his first degree in English Language and Literature at the University of Oxford, and received his PhD from Goldsmiths University of London in 1996. He lives in Yorkshire with his partner, the philosopher Helen Steward, and they have two adult children, Rosa and Joe.

Inhaltsverzeichnis

Introduction: Change and Continuity, Power and Creativity PART ONE: ANALYTICAL FRAMEWORKS Theories of Culture, Theories of Cultural Production Cultural Industries in the Twentieth Century: The Key Features Why the Cultural Industries Began to Change in the 1980s PART TWO: POLICY CHANGE Marketization in Telecommunications and Broadcasting Further Changes in Policy: Copyright and the Cult of Creativity PART THREE: CHANGE AND CONTINUITY IN THE CULTURAL INDUSTRIES, 1980 TO 2012 Ownership, Structure and Size Creativity and Commerce, Organization and Labour Internationalism: Neither Globalisation Nor Cultural Imperialism Digitalisation and the Internet The Impact of the Internet and Digitalisation on Existing Cultural Industries Texts: Diversity, Quality and Social Justice Conclusions: A New Era in Cultural Production? Glossary

Zusätzliche Informationen

GOR006014450
9781446209264
1446209261
The Cultural Industries David Hesmondhalgh
Gebraucht - Sehr Gut
Broschiert
SAGE Publications Ltd
20121210
480
N/A
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