A poem restricted to ten lines demands concision, as well as precision. It also requires a narrowing of attention to what is right in front of us: tutelary encounters with chickens or toads, overheard conversations that become meaningful at once, a sudden memory that arises from childhood--moments in the everyday sensorium we often miss and, hence, neglect to cherish. There was something there I needed to save, as a friend says in the title poem. Even the Least of These is replete with poems to start the morning, slip into a card, or recite over dinner, each small enough to make a lovely dent in an ordinary day. - Melissa Kwasny, author of Pictograph and Where Outside the Body Is the Soul Today
Even the Least of These is full of motion. Anita Skeens poems and Laura DeLinds illustrations buzz with activity drawn from the natural world, culled through all of the senses. The collection shows that even little overlooked things are chockablock with vibrancy, and life. Poem titles On the Move, Walking Song, and Turn, Turn, Turn evoke gesture and vitality, while DeLinds illustrations echo and volley off Skeens words with high-contrast shapes, with curlicued lines swirling clockwise and counterclockwise, where clotheslines dance and letters tumble off ladders. The interplay between these two friends and creators takes us on an ever-expansive journey looking at the ordinary. - Mary McDonnell, visual artist
Some people baked their way through the pandemic. Some hiked. Some Zoomed until their eyes got goggly. Anita Skeen wrote a ten-line poem every day and emailed it to her friend, artist Laura DeLind, who responded by creating linocut prints. Both used that slowed-down, locked-down time for meditation on the wonders of the world around them. The result is Even the Least of These, a gift of deep seeing, of dwelling in nature as part of nature. I love it. I think you will too. - George Ella Lyon, poet laureate of Kentucky 20152016, author of Back to the Light
