The imagination is a decisive, if underappreciated, theme in German thought since Kant. In this rigorous historical and textual analysis, Christopher Yates challenges an oversight of traditional readings by presenting the first comparative study of F.W.J. Schelling and Martin Heidegger on this theme. By investigating the importance of the imagination in the thought of Schelling and Heidegger, Yates study argues that Heideggers later, more poetic, philosophy cannot be understood properly without appreciating Schellings central importance for him. A key figure in post-Kantian German Idealism, Schellings penetrating attention to the creative character of thought remains undervalued. Capturing the essential manner in which Heideggers ontology and Schellings idealism intersect, The Poetic Imagination in Heidegger and Schelling likewise presents an introduction to better understanding Heideggers later thought. It reveals how his engagement with Schelling encouraged Heidegger to recover and refine the imagination as a poetic, as opposed to reductive and dogmatic, collaborator in the life of truth. Tracing the theme of imagination in new readings of these major thinkers, Yates study not only acknowledges Schellings provocative place in post-Kantian German Idealism, but demonstrates as well the significance of Schellings philosophical focus and style for Heideggers own concentration on the creative vocation of human artistry and thought.