Poetry by Richard Bradford
Richard Bradford's new introduction to poetry begins with and answers the slippery question, 'what is poetry?'. The book provides a compact history of English poetry from the 16th century to the present day and surveys the major critical and theoretical approaches to verse. It tackles the important issues of gender, race and nationality and concludes with a lengthy account of how to recognise good poetry. This engaging and readable book is accessible to all readers, from those who simply enjoy poetry through university first years to graduate students. Poetry: The Ultimate Guide provides the technical and critical tools you need to approach and evaluate poetry, and to articulate your own views.
'Bradford has produced a superb, accessible introduction to an impressively sweeping range of poetic techniques and historical contextsImpressive, useful and affordable, this book will be a boon for any newcomer who wishes to grapple with the daunting challenge of interpreting historical and contemporary poetry - it will work as great revision for experienced readers too.' - Kevin De Ornellas, Ulster University, UK
RICHARD BRADFORD is Professor of Literary History and Theory at the University of Ulster, UK. His publications include The Novel Now, acclaimed biographies such as First Boredom, Then Fear: The Life of Philip Larkin and The Life of a Long Distance Writer: The Authorised Biography of Alan Sillitoe, and introductory student textbooks Introducing Literary Studies and Stylistics (New Critical Idiom).
SKU | GOR012911077 |
ISBN 13 | 9781403994615 |
ISBN 10 | 1403994617 |
Title | Poetry |
Author | Richard Bradford |
Condition | like new |
Binding type | Paperback |
Publisher | Bloomsbury Publishing PLC |
Year published | 2010-11-17 |
Number of pages | 272 |
Cover note | Book picture is for illustrative purposes only, actual binding, cover or edition may vary. |
Note | The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins |