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Acting is Believing Charles McGaw (Late of the Goodman School of Drama, a School of the Art Institute of Chicago)

Acting is Believing By Charles McGaw (Late of the Goodman School of Drama, a School of the Art Institute of Chicago)

Summary

Based upon the Stanislavski system, this book points all its readers toward the axiom that an actor must believe to make his audience believe.

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Acting is Believing Summary

Acting is Believing by Charles McGaw (Late of the Goodman School of Drama, a School of the Art Institute of Chicago)

Did you know that an actor must believe to make his audience believe? This is the key concept behind ACTING IS BELIEVING. Authors Charles McGaw and Larry D. Clark have influenced thousands of actors, and this Twelfth Edition has been completely updated by Kenneth Stilson to inspire today's future acting professionals. New exercises keep the content current and relevant. You'll learn the Stanislavski System and how to perfect using it, and benefit from hundreds of other tips that help you become the flawless actor you are meant to be. The final chapter, Getting the Job, will help you find a job in the acting industry by discussing the latest approaches to auditioning and marketing.

About Charles McGaw (Late of the Goodman School of Drama, a School of the Art Institute of Chicago)

Kenneth L. Stilson is a Professor of Acting, Directing, and Musical Theatre and former Founding Chair of the Department of Theatre and Dance in The Earl and Margie Holland School of Visual and Performing Arts at Southeast Missouri State University. As a director, writer, or actor, he has worked in such theatres as the Lincoln Center (New York City), American Academy of Dramatic Art/Hudson Theatre (Los Angeles), Southern Repertory Theatre (New Orleans), Le Petite Theatre (New Orleans), Alabama Lyric Theatre, Stage West Theatre (Ft. Worth), Shakespeare in the Park (Ft. Worth), First Run Theatre (St. Louis), and Missouri's Summer Repertory Theatre. He has also been involved in the Oklahoma Shakespearean Festival and the Mississippi Shakespeare Festival. Over the past 28 years at various institutions, Stilson has directed and trained hundreds of actors, many of whom have gone on to distinguished careers in film, television, and stage, winning several Tony and Obie Awards. He has written numerous award-winning plays and screenplays, as well as published a biography and a range of national and international articles on acting and theatre. Stilson holds both a Ph.D. and M.A. in Theatre from the University of Missouri-Columbia, where he studied under the tutelage of Larry D. Clark. Larry Clark is currently Professor and Dean Emeritus at University of Missouri. He joined the faculty in 1966 as an Assistant Professor of Speech and Dramatic Art. In 1988, after a distinguished career as a teacher of acting and directing, during which he directed dozens of plays, both with his students and for the University of Missouri professional Summer Repertory Theatre, Clark was selected as Dean of College of Arts and Science. During his career as a Professor of Theatre, Clark was active on the national scene and was elected President of all three professional organizations devoted to the educational aspects of theatre. He was an exceptionally well-known figure in the American College Theatre Festival, serving as festival critic for hundreds of plays during its first 20 years. The plays he mounted covered a broad range of dramatic literature from the classics to Sam Shepard. His production of Albee's Who's Afraid of Virginia Woolf? was particularly praised. It starred one of Clark's young students, Tom Moore, who went on to establish a distinguished motion picture career as the popular actor, Tom Berenger. Berenger leads a long list of Professor Clark's former acting students who are now earning their living in motion pictures, the theatre, or both.

Table of Contents

Preface. Part I: THE ACTOR. 1. Training Your Talent. 2. Approaching the Creative State. 3. Discovering Physical Actions. 4. Defining Simple Objectives. 5. Developing Your Powers of Observation. 6. Exploring Circles of Attention. 7. Investigating the Subconscious. Part II: THE ACTOR AND THE PLAY. 8. Creating a Character. 9. Interpreting the Lines. 10. Communicating the Subtext. Part III: THE ACTOR AND THE PRODUCTION. 11. Transforming into Character. 12. Preparing Undirected Scene Study. 13. Getting the Job. Endnotes. Appendix. Bibliography. Index.

Additional information

CIN1285465059A
9781285465050
1285465059
Acting is Believing by Charles McGaw (Late of the Goodman School of Drama, a School of the Art Institute of Chicago)
Used - Well Read
Hardback
Cengage Learning, Inc
20140101
352
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book. We do our best to provide good quality books for you to read, but there is no escaping the fact that it has been owned and read by someone else previously. Therefore it will show signs of wear and may be an ex library book

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