The essayists in this volume find various oblique paths to an ecocritical horizon only just coming into view in period art historical scholarship...the power of the new ecocritical art history, embodied in this volume, to generate revelatory and original narratives, presenting to our view a global, material nineteenth century heretofore unimagined...a real virtue of the collection accordingly lies in redirecting our gaze away from the art museum wall to the workshops, plantations, streets, parlors, and dinner tables of the nineteenth century, where visual-cultural artifacts were actively consumed and the rituals of anthropocenic domination enacted through a dizzying, emergent array of secular icons and images of the natural world.
--Nineteenth-Century Art Worldwide
One of the great strengths of the collection lies in the authors' multipronged approaches to their subjects. While they pose questions about the ecological agency of things and the material-ecology of artmaking, they almost universally combine their ecocritical queries with theories and methods drawn from other domains: feminism, postcolonial theory, critical race theory, animal studies, food studies, affect studies, and more. This results in richly layered interpretations; it also feels apt that scholars invested in the intermeshed nature of all existence would take a similar intersectional approach to their methodologies...the writing throughout Ecocriticism and the Anthropocene in Nineteenth-Century Art and Visual Culture is concise, lucid, and relatively jargon-free, making these essays accessible to an undergraduate audience. This is a great boon to those of us seeking good examples of ecocritical art history to share with our students.
--Interdisciplinary Studies in Literature and Environment
