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Film, TV and Radio
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Variety (December 1911); 25
by Variety
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$44.59
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Variety (April 1910); 18
by Variety
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$41.09
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Motion Picture Classic (1916)
by M P Publishing Company
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$50.99
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Billboard (July 1911); 23
by The Billboard Publishing Co
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$43.09
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New York Clipper (June 1915); 63
by New York Clipper
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$39.49
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Variety (January 1915); 37
by Variety
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$41.09
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Billboard (March 1910); 22
by The Billboard Publishing Co
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$43.19
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Variety (March 1909); 14
by Variety
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$39.39
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Clipper (March 1912)
by New York Clipper
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$37.89
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Variety (December 1922); 69
by Variety
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$42.89
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Variety (February 1920)
by Variety
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$41.19
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Variety (December 1908); 13
by Variety
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$41.19
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Variety (June 1915); 39
by Variety
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Clipper (July 1912)
by New York Clipper
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Tracks From the Crypt
by John Mowitt
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$44.79
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Can Integrated Titles Improve the Viewing Experience?
by Wendy Fox
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$54.79
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Zombies in Western Culture
by John Vervaeke
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$47.79
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Current Research in Film
by Bruce Austin
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$132.99
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North of Everything
by William Beard
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$53.89
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Dietrich's Ghosts: The Sublime and the Beautiful in Third Reich Film
by Erica Carter
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$158.49
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The Griffith Project, Volume 3
by Paolo Cherchi Usai
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$150.69
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The Pleasures of Horror
by Matthew Hills
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$279.69
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American Cinema and the Southern Imaginary
by Deborah Barker
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$123.69
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The Collaborative Art of Filmmaking
by Linda Seger (Independent script consultant, USA)
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$236.59
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Resetting the Scene
by Philippa Gates
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$142.99
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The Construction of Testimony
by Erin McGlothlin
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$129.59
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Stars and Silhouettes
by Joceline Andersen
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$128.09
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Chilean Cinema in the Twenty-First-Century World
by Carl Fischer
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$128.79
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Cannibalizing Queer
by Joao Nemi Neto
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$167.89
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Cinematic Cryptonymies
by Ofer Eliaz
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$129.29
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Projecting Politics
by Elizabeth Haas
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$264.39
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US Independent Film After 1989
by Claire Perkins
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Spanish Queer Cinema
by Chris Perriam
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The Operatic and the Everyday in Postwar Italian Film Melodrama
by Louis Bayman
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Pierre Batcheff and Stardom in 1920s French Cinema
by Phil Powrie
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Film Remakes
by Constantine Verevis
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Czech and Slovak Cinema
by Peter Hames
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The Erotic Thriller in Contemporary Cinema
by Linda Ruth Williams
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Hibakusha Cinema
by Mick Broderick
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Jean Renoir
by Alexander Sesonske
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Widescreen Cinema
by Professor John Belton (Rutgers University New Jersey)
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Underground Homosexualities
by Patrick Brennan
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Australian Cinema After Mabo
by Felicity Collins (La Trobe University, Victoria)
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Martin Scorsese's Raging Bull
by Kevin J. Hayes (University of Central Oklahoma)
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Recycled Culture in Contemporary Art and Film
by Vera Dika
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The Coen Brothers' Fargo
by William G. Luhr (Saint Peter's College, New Jersey)
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Confronting Modernity in the Cinemas of Taiwan and Mainland China
by Tonglin Lu (University of Iowa)
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Science Fiction Film
by J. P. Telotte (Georgia Institute of Technology)
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