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Non-Fiction Books
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Film, TV and Radio
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Variety (August 1906); 3
by Variety
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$37.59
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The New York Clipper (November 1916)
by The New York Clipper
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The New York Clipper (April 1916)
by The New York Clipper
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Variety (May 1914); 34
by Variety
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Medium, Format, Configuration
by Benoit Turquety
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Take Two
by Frank Manchel
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Fatal Visions - The Golden Age
by Michael Helms
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The Moving Picture Girl Gallery
by Dr Paul Sutton
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Anne Katrine Dolven
by Ele Carpenter
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American Theatrical Film Stag
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Politics, Porn and Protest
by Isolde Standish
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Otherness in Hollywood Cinema
by Michael Richardson (Centre for Cultural Studies, Goldsmiths University)
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Godard Between Identity and Difference
by John E. Drabinski
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From Fu Manchu to Kung Fu Panda
by Naomi Greene
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$99.69
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Independent Female Filmmakers
by Michele Meek
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$236.59
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Storytelling for Film and Television
by Ken Dancyger (Tisch School of the Arts, New York University, NY, USA)
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Hollywood's Frontier Captives
by Barbara A. Mortimer
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The End Of Cinema As We Know It
by Jon Lewis
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$143.79
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Hidden Light
by Dan Chyutin
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$136.89
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Barbara Hammer
by Sarah Keller
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Woman Up
by Julia Havas
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African American Cinema through Black Lives Consciousness
by Mark A. Reid
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Comic Venus
by Kristen Anderson Wagner
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Making Asian American Film and Video
by Jun Okada
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$140.79
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World Television
by Joseph D. Straubhaar
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Cross-dressing in Turkish Cinema
by Burcu Dabak (Yasar University, Turkey)
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Stalinist Cinema and the Production of History
by Evgeny Dobrenko
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Hollywood's Cold War
by Tony Shaw
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British Film Directors
by Robert Shail
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Sapphism on Screen
by Lucille Cairns
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American Independent Cinema
by Yannis Tzioumakis
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The Kosovo Tragedy
by Ken Booth
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British Broadcasting
by R.H. Coase
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Hong Kong Cinema
by Yingchi Chu
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Myth and Masculinity in the Japanese Cinema
by Isolde Standish
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The Autobiography of Joseph Jefferson
by Alan S Downer
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Noir dirt cheap
by Bernie Dowling
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Revenge
by Jonathan L Bowen
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Contemporizing the Classics
by Gregory G Sarno
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The Producers
by Luke Ford
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Thomas Hardy on Screen
by T. R. Wright (University of Newcastle upon Tyne)
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Horror Film and Psychoanalysis
by Steven Jay Schneider (New York University and Harvard University, Massachusetts)
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The Films of Woody Allen
by Sam B. Girgus (Vanderbilt University, Tennessee)
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The Films of Orson Welles
by Robert Garis (Wellesley College, Massachusetts)
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The Films of Mike Leigh
by Ray Carney (Boston University)
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Russian Critics on the Cinema of Glasnost
by Michael Brashinsky
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Documentary Testimonies
by Bhaskar Sarkar (University of California, Santa Barbara, USA)
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The Digital Film Event
by Trinh T. Minh-ha
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