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Fifty Years of a Londoner's Life
by Henry George Hibbert
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L'Aiglon
by Edmond Rostand
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The Law of Theatres and Music-halls
by James Willi Nevill Montgomerie Geary
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Memoir And Theatrical Career Of Ira Aldridge, The African Roscius
by Anonymous
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A Complete History of the English Stage
by Charles 1745-1814 Dibdin
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Stage Favourites of the Eighteenth Century;
by Lewis 1874-1932 Melville
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The Memoirs of Sarah Barnum; no. 259
by Marie 1844-1910 Colombier
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Mrs. Sarah Siddons; 1
by James Boaden
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Vaudeville Trails Thru the West
by Herbert Lloyd
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The History of the Boston Theatre, 1854-1901; v.1
by Eugene Tompkins
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Historical Review of the Boston Bijou Theatre
by Edward O (Edward Oliver) Skelton
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The Stage Life of Mrs. Stirling
by Percy 1872- Allen
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Centennial-Liberty Loan Celebration
by State Council of Defense of Illinois
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The Theatre of To-day
by Hiram Kelly 1888- Moderwell
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Town Talk; 38
by Anonymous
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Documents Relating to the Revels at Court in the Time of King Edward VI and Queen Mary (the Loseley Manuscripts) Edited With Notes and Indexes
by Great Britain Office of the Revels
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The Shaksperian Stage
by Victor Emanuel 1878- Albright
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Guide to Oberammergau. Oberammergau and Its Passion Play
by Joseph 1849-1903 Schroeder
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The Sociable, or, One Thousand and One Home Amusements
by George 1834-1865 Arnold
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"Stage-iana."
by William Sapte
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History of the American Stage
by T Allston (Thomas Allston) 1 Brown
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[A Collection of Programmes of Concerts Given at Sanders Theatre, Cambridge, 1884-1920]
by Boston Symphony Orchestra
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Performing Citizenship
by Gesa Ziemer
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Zen and the Art of Stand-Up Comedy
by Jay Sankey
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Ten Talents in the American Theatre,
by David Harrison Stevens
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Theatre, Drama, and Audience in Goethe's Germany
by W. H. Bruford
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Approaches to Acting
by Daniel Meyer-Dinkgrafe
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Incapacity and Theatricality
by Tony McCaffrey
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Staging Creolization
by Emily Sahakian
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A Kabuki Reader
by Samuel L. Leiter
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Locating the Queen's Men, 15831603
by Holger Schott Syme
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Transnational Exchange in Early Modern Theater
by Eric Nicholson
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Women's Romantic Theatre and Drama
by Keir Elam
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Private Theatricals
by Nina Auerbach
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Directors/Directing
by Maria Shevtsova (Goldsmiths, University of London)
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Neil LaBute
by Christopher Bigsby (University of East Anglia)
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The Cambridge Companion to Performance Studies
by Tracy C. Davis (Northwestern University, Illinois)
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Modernism, Drama, and the Audience for Irish Spectacle
by Paige Reynolds (College of the Holy Cross, Massachusetts)
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Slavery and Sentiment on the American Stage, 17871861
by Heather S. Nathans (University of Maryland, College Park)
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The Cambridge Introduction to Modern British Theatre
by Simon Shepherd
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Shakespeare and the American Popular Stage
by Frances Teague (University of Georgia)
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Found in Translation
by J. Michael Walton (University of Hull)
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Drama and Religion in English Provincial Society, 1485-1660
by Paul Whitfield White (Purdue University, Indiana)
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The Cambridge Introduction to Theatre Studies
by Christopher B. Balme
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Sisters in Sin
by Katie N. Johnson (Miami University)
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Performance and Identity in the Classical World
by Anne Duncan (Arizona State University)
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Performing Blackness on English Stages, 1500-1800
by Virginia Mason Vaughan (Clark University, Massachusetts)
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The Cambridge Introduction to Theatre Directing
by Christopher Innes (York University, Toronto)
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