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Asian American Culture on Stage
by Yuko Kurahashi
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David Merrick
by Barbara L. Horn
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Comic Acting and Portraiture in Late-Georgian and Regency England
by Jim Davis (University of Warwick)
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Remenyi Grand Concerts [microform]
by Victoria Theatre (B C )
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Select Specimens of the Theatre of the Hindus Translated From the Original Sanskrit by Horace Hayman Wilson
by Anonymous
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Handbook of Scenery, Properties, and Lighting
by Harvey Sweet
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Theatre in the Chocolate Factory
by Catherine Hindson (University of Bristol)
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Contemporary Feminist Theatres
by Lizbeth Goodman (University College Dublin, IRE)
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Ingomar, the Barbarian
by Maria Lovell
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Monologues for Teens and Twenties
by Jim Chevallier
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The Body Speaks
by Lorna Marshall
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Inside Improvisation
by MR Richard Bennett
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Theatre, Communication, Critical Realism
by T. Nellhaus
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The Swastika and the Stage
by Gerwin Strobl (Cardiff University)
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Women on the Stage in Early Modern France
by Virginia Scott (University of Massachusetts, Amherst)
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On Playing Shakespeare
by Leigh A. Woods
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Hamlet in Pieces
by Andy Lavender (Central School of Drama, London)
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Perspectives on Teaching Theatre
by Raynette Halvorsen Smith
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Memoirs of Joseph Grimaldi
by Joseph 1779-1837 Grimaldi
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Guia para o Theatresports de Keith Johnstone
by Keith Johnstone
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The Best Plays of 1992-1993
by Volume editor Otis L. Guernsey
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Performing Mountains
by Jonathan Pitches
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Harold Pinter
by William Baker (Northern Illinois University, DeKalb, USA)
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Shakespeare's Plays in Performance
by John Russell Brown
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A Chronicle of Small Beer
by Winifred Dolan
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W.B.Yeats and the Idea of a Theatre
by James W. Flannery
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Theatre Censorship
by David Thomas (Professor Emeritus, University of Warwick)
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The Actor
by Andrew MacKay
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How to do Shakespeare
by Adrian Noble
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The Theatre of Steven Berkoff
by Steven Berkoff
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The English Stage
by John L. Styan (Northwestern University, Illinois)
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Moving Shakespeare Indoors
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Performance Affects
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Auditions
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The Ecologies of Amateur Theatre
by Helen Nicholson
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Theatres of Immanence
by Laura Cull O Maoilearca
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Grief and English Renaissance Elegy
by G. W. Pigman, III
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The Actor and the Target
by Declan Donnellan
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The Cambridge Introduction to Theatre Historiography
by Thomas Postlewait (University of Washington)
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Playing For Real
by Tom Cantrell
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The Complete Stage Planning Kit
by Gill Davies
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Taking it to the Streets
by Harry J. Elam, Jr.
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Complicite, Theatre and Aesthetics
by Tomasz Wisniewski
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The Great European Stage Directors Volume 2
by David Barnett (University of York, UK)
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In the Footsteps of Giants
by Liverpool City Council and Royal de Luxe
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The Choreopolitics of Alain Platel's les ballets C de la B
by Professor Christel Stalpaert
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A Dictionary of Stage Directions in English Drama 1580-1642
by Alan C. Dessen (University of North Carolina, Chapel Hill)
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Slapstick and Comic Performance
by L. Peacock
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