Mein Konto
Login Anmeldung
Alles
Warenkorb
Neuesten Trends
Belletristik
Sachbücher
Kinderbücher
Seltene Bücher
Musik
DVD & Blu-Ray
Kategorie
Wunschlisten
Warenkorb
Alles
Kostenloser Versand
Trustpilot
Unsere Operationen sind klimaneutral

Arguing About Art Aaron Ridley

Arguing About Art von Aaron Ridley

Arguing About Art Aaron Ridley

9.00
Zustand - Sehr Gut
7 auf Lager
Sehr Gut

Zusammenfassung

This acclaimed and accessible anthology is ideal for students of philosophy. Introducing a wide range of discussions, each reading is accompanied by a clear introduction and suggestions for further reading.

Arguing About Art Zusammenfassung

Arguing About Art: Contemporary Philosophical Debates Aaron Ridley

This acclaimed and accessible anthology is ideal for newcomers to aesthetics or philosophy. Neill and Ridley introduce a wide range of discussions including sentimentality, feminism and aesthetics, appreciation, understanding and nature. Each chapter is accompanied by a clear introduction and suggestions for further reading.
This new edition has been fully revised and updated. It includes five new sections on the art of food, rock music and culture, enjoying horror, art and morality and public art.
Arguing about Art will appeal to students of art history, literature, and cultural studies as well as philosophy.

Arguing About Art Bewertungen

'A most valuable supplement to any philosophical aesthetics course, one that would enliven and freshen it up, partly by deftly engaging students.' - Times Higer Education Supplement

'My first choice for a core text in an undergraduate course would be Neill and Ridley. On every topic their lively collection stimulates thought' - Peter Lamarque, European Journal of Philosophy

Über Aaron Ridley

Alex Neill and Aaron Ridley are both lecturers at Southampton University.

Inhaltsverzeichnis

Preface Introduction Chapter 1. The Art of Food? Elizabeth Telfer, 'Food as Art', Carolyn Korsmeyer, 'The Meaning of Taste and the Taste of Meaning' Chapter 2. The 'Authentic' Performance of Music Stephen Davies, 'Authenticity in Musical Performance' James O. Young, 'The Concept of Authentic Performance' Chapter 3. Fakes and Forgeries Alfred Lessing, 'What is Wrong with a Forgery?' Denis Dutton, 'Artistic Crimes' Chapter 4. Rock Music and Culture Theodore Gracyk, 'Music's Worldly Uses, or How I Learned to Stop Worrying and to Love Led Zeppelin' Rodger Scruton, 'The Decline of Musical Culture' Chapter 5. Appreciation, Understanding and Nature Allen Carlson, 'Appreciation and the Natural Environment' Noel Carroll, 'On Being Moved by Nature: Between Religion and Natural History' Chapter 6. Photography and Representation Roger Scruton, 'Photography and Representation' William J. King, 'Scruton and Reasons for Looking at Photographs' Nigel Warburton, 'Individual Style in Photographic Art' Chapter 7. Feelings and Fictions Colin Radford, 'How can we be Moved by the Fate of Anna Karenina?' Alex Neill, 'Fictions and the Emotions' Chapter 8. Enjoying Horror Noel Carroll, 'Why Horror?' Berys Gaut, 'The Paradox of Horror.' Chapter 9. Sentimentality Anthony Savile, 'Sentimentality.' Ira Newman, 'The Alleged Unwholesomeness of Sentimentality.' Chapter 10. Art and Morality Kendall L. Walton, 'Morals in Fiction and Fictional Morality.' Michael Tanner, 'Morals in Ficiton and Fictional Morality - a Response.' Chapter 11. Feminism and Aesthetics Mary Devereaux, 'Oppressive Texts, Resisting Readers and the Gendered Spectator: The New Aesthetics.' Curtis Brown, 'Art, Oppression, and the Autonomy of Aesthetics.' Chapter 12. Public Art. Hilde Hein 'What is Public Art?: Place, Time and Meaning.' Gregg Horowitz, 'Public Art/Public Space: The Spectacle of the Tilted Arc Controversy.' Michael Kelly, 'Public Art Controversy: The Serra and Lin Cases.'

Zusätzliche Informationen

GOR003964160
9780415237390
0415237394
Arguing About Art: Contemporary Philosophical Debates Aaron Ridley
Aaron Ridley
Gebraucht - Sehr Gut
Broschiert
Taylor & Francis Ltd
2001-12-13
496
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Dies ist ein gebrauchtes Buch. Es wurde schon einmal gelesen und weist von der früheren Nutzung Gebrauchsspuren auf. Wir gehen davon aus, dass es im Großen und Ganzen in einem sehr guten Zustand ist. Sollten Sie jedoch nicht vollständig zufrieden sein, setzen Sie sich bitte mit uns in Verbindung.