1. Giovanni Pierluigi da Palestrina: Dum complerentur (motet) ; 2. Orlande de Lassus: Timor et tremor (motet) ; 3. Don Carlo Gesualdo, Prince of Venosa: Belta, poi che t'assenti (madrigal) ; 4. Claudio Monteverdi: Luci serene (madrigal) ; 5. Giulio Caccini: Sfogava con le stelle (continuo madrigal) ; 6. Claudio Monteverdi: Orfeo, Act 2 (opera: selections) ; a. Sinfonia and two arias: Ecco pur ch'a voi ritorno and Mira ch'a se n'alletta ; b. Mira, deh mira Orfeo through chorus, Ahi, caso acerbo ; 7. Claudio Monteverdi: Il combattimento di Tancredi e Clorinda (balletto or dramatic madrigal) ; 8. Pier Francesco Cavalli: Giasone (opera: selections) ; a. Act 1, scene 14 (Dell'antro magico) ; b. Act 3, scene 21 (Infelice ch'ascolto?) ; 9. Barbara Strozzi: Ardo in tacito foco (cantata or strophic aria) ; 10. Alessandro Scarlatti: Correa nel seno amato (cantata: selections) ; a. Aria Fresche brine ; b. Aria Onde belle ; 11. Henry Purcell: From Rosy Bowers (catata) ; 12. Jean-Baptiste Lully: Armide (opera: selections) ; a. Overture ; b. Act 2, scene 5 (recitative Enfin, il est en ma puissance and air Venez, secondez mes desirs ; 13. Giovanni Gabrieli: In ecclesiis (concertato motet) ; 14. Heinrich Sch:utz: Herr, neige deine Himmel, SWV 361 (concertato motet) ; 15. Heinrich Sch:utz: Saul, Saul, was verfolgst du mich?, SWV 415 (concertato motet) ; 16. Giacomo Carissimi: Jepthe (oratorio: selections) ; 17. Michel-Richard de Lalande: De profundis (grand motet, selections) ; a. Chorus, De profundis ; b. Recit, Sustinuit anima mea ; 18. George Frideric Handel: Orlando (opera: selections) ; a. Act 1, scene 8 (recitative and aria O care parolette) ; b. Act 2, scene 9 (recitative and aria Se fedel vuoi) ; c. Act 1, scene 10 (recitative and aria Fammi combattere) ; 19. Jean-Phillipe Rameau: Les indes galantes (opera-ballet: selections) ; 20. Johann Sebastian Bach: Herr Jesu Christ, wahr'r Mensch und Gott, BWV 127 (sacred cantata) ; 21. George Frederic Handel: Jephtha (English oratorio: selections) ; a. From Part 2, scene 3 (recitative and aria Open thy marble jaws) ; b. From Part 2, scene 4 (chorus How dark, O Lord) ; 22. Ennemond Gaultier, Pieces for Lute ; a. Courante L'immortelle ; b. Allemande (Tombeau de Mesangeau) ; c. Gigue La Poste ; 23. Girolamo Frescobaldi: Toccata 7 (from Libro II) ; 24. Johann Jacob Froberger: Suite 20 in D ; 25. Elizabeth-Claude Jacquet de La Guerre: Prelude from Suite III in A minor ; 26. Dietrich Buxtehude: Nun bitten wir den heiligen Geist, BuxWV 208 (chorale prelude) ; 27. Dietrich Buxtehude: Praeludium in A minor, BuxWV 153 ; 28. Johann Sebastian Bach: Prelude and Fugue in G, BWV 860, from The Well-Tempered Clavier, Part 1 ; 29. Jean-Henri d'Anglebert, Francois Couperin, and Jean-Phillipe Rameau: Extracts from ornament tables ; 30. Francois Couperin: Vingt-unieme ordre (keyboard suite: selections) ; a. La reine des coeurs ; b. La Couperin ; 31. Salamone Rossi: Sonata sopra La Bergamusca ; 32. Dario Castello: Sonata 12 from Libro I ; 33. Biagio Marini: Sonata variata for violin and continuo ; 34. Hans Ignaz Franz Biber: Sonata 5 in E minor for violin and continuo ; 35. Giovanni Legrenzi: Sonata La Strasolda for two violins and continuo ; 36. Arcangelo Correlli: Sonata in C for violin and continuo, op. 5, no. 3 ; 37. Torelli: Sinfonia in D for trumpet, strings, and continuo, G. 8 ; 38. Arcangelo Corelli: Concerto grosso in G minor, op. 6, no. 8, Christmas ; 39. Antonio Vivaldi: Concerto in E for violin, strings, and continuo, op. 3, no. 12 (R. 265) ; 40. Johann Sebastian Bach: Brandenburg Concerto no. 2 in F, BWV 1047 ; 41. Georg Philipp Telemann: Nouveau quatour no. 6 in E minor for flute, violin, viola da gamba (or cello), and continuo, TWV 43: e4 ; 42. Carl Philipp Emanuel Bach: W:urttemberg Sonata no. 1 in A minor for keyboard, W. 49/1
