Mein Konto
Login Anmeldung
Alles
Warenkorb
Neuesten Trends
Belletristik
Sachbücher
Kinderbücher
Seltene Bücher
Musik
DVD & Blu-Ray
Kategorie
Wunschlisten
Warenkorb
Alles
Kostenloser Versand
Trustpilot
Unsere Operationen sind klimaneutral

The Rebirth of Painting in the Late Twentieth Century Donald Kuspit (State University of New York, Stony Brook)

The Rebirth of Painting in the Late Twentieth Century von Donald Kuspit (State University of New York, Stony Brook)

The Rebirth of Painting in the Late Twentieth Century Donald Kuspit (State University of New York, Stony Brook)

23.00
Zustand - Sehr Gut
Nur noch 1
Sehr Gut

Zusammenfassung

Donald Kuspit's work examines the continued validity and variety of painting in the post-modern era. Bringing a psychological perspective to the issues, he argues that painting remains the premiere medium of the visual arts, in terms of its potential for innovation and influence on other modes of art making.

The Rebirth of Painting in the Late Twentieth Century Zusammenfassung

The Rebirth of Painting in the Late Twentieth Century Donald Kuspit (State University of New York, Stony Brook)

The Rebirth of Painting in the Twentieth Century examines the continued validity and variety of painting in the post-modern era. Bringing a psychological perspective to the issues, Donald Kuspit argues that painting remains the premier medium of the visual arts, in terms of its potential for innovation and influence on other modes of art making. Discussing a range of representational and abstract painting in the United States and Europe by artists such as Gregory Amenoff, Vincent Desidiero and Odd Nerdrum, Kuspit also examines works by Picasso, Mondrian, Pollock, Johns, and Soutine, among others, with an eye to reevaluating their art historical significance. This study also includes psychosocial studies of various cultural issues that affect painting, including feminism, and Jewishness.

Inhaltsverzeichnis

Part I. Painting: Past and Possible: 1. Charles Burchfield: Apocalypse Now; 2. Soutine's Shudder: Jewish Naivete?; 3. Picasso's portraits and the Depths of Modernism; 4. A shameful cultural sham?: Willem de Kooning's last paintings; 5. Jackson Pollack: lively art, artless life; 6. Jasper Johns and Ellsworth Kelly: the deadend of Modernism; 7. Ivan Albright: anachronistic curiosity or the ultimate Modern Artist?; 8. Real hallucinations and anal Absolutes: Jiri Georg Dokoupil; 9. Abstract painting and the spiritual unconscious; 10. The pathos of purity: Piet Mondrian reassessed; 11. Negative sublime identity: Pierre Soulages's Abstract paintings; 12. Unconscious and self-conscious color in 'American-type' painting; 13. Relics of transcendence; 14. Gregory Amenoff: renewing Romantic mystical nature painting; 15. Modern history painting in the United States; 16. Mourning and memory: Wlodzimierz Ksiazek's abstract paintings; 17. Laszlo Feher: memory and abandonment; 18. Odd Nerdrum, perverse humanist; 19. Vincent Desiderio: postmodern Visionary painting; Part II. Animadiversions: 20. Avant-Garde, Hollywood, depression: the collapse of high art; 21. Failure of identity: on being half an artist; 22. Of the immature, by the immature, for the immature: Keith Haring and Cindy Sherman; 23. Heroic isolation or delusion of grandeur?: Chuck Close's portraits of artists; 24. Nan Goldin: the taste for pathology; 25. David Wojnarowicz: the Last Rimbaud; 26. Woman at risk: the representation of the feminine in modern and postmodern art; 27. Unconsciously, always an alien and self-alienated: the problem of the Jewish-American artist; 28. Meyer Shapiro's Jewish unconscious.

Zusätzliche Informationen

GOR009035676
9780521665537
0521665531
The Rebirth of Painting in the Late Twentieth Century Donald Kuspit (State University of New York, Stony Brook)
Donald Kuspit (State University of New York, Stony Brook)
Gebraucht - Sehr Gut
Broschiert
Cambridge University Press
20000413
272
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Dies ist ein gebrauchtes Buch. Es wurde schon einmal gelesen und weist von der früheren Nutzung Gebrauchsspuren auf. Wir gehen davon aus, dass es im Großen und Ganzen in einem sehr guten Zustand ist. Sollten Sie jedoch nicht vollständig zufrieden sein, setzen Sie sich bitte mit uns in Verbindung.