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A Feminist Companion to Shakespeare Dympna Callaghan

A Feminist Companion to Shakespeare von Dympna Callaghan

A Feminist Companion to Shakespeare Dympna Callaghan


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Zusammenfassung

aeo Provides the definitive feminist statement on Shakespeare for the 21st century. aeo Addresses issues vital to feminist inquiry, including race, sexuality, the body, queer politics, capitalism. aeo Appropriates for feminism questions of textual editing and theater history.

A Feminist Companion to Shakespeare Zusammenfassung

A Feminist Companion to Shakespeare Dympna Callaghan

The question is not whether Shakespeare studies needs feminism, but whether feminism needs Shakespeare. This is the explicitly political approach taken by all--women team of contributors to A Feminist Companion to Shakespeare.

A Feminist Companion to Shakespeare Bewertungen

Winner of Choice: Current Reviews for Academic Libraries Award 2001 for Outstanding Academic Title. These 19 original essays reveal the exciting range of inquiry within the feminist community of early--modern scholars ... the anthology excels in offering clear statements about the implications of feminist practice and absolutely up--to--date scholarship ... This excellent volume should become a classic of feminist Shakespeare criticism. Choice. A feisty collection of articles -- all by women -- intensely critical of patriarchal control of the Bard and how that has underpinned Western social injustices. Times Literary Supplement.

Über Dympna Callaghan

Dympna Callaghan is William P. Tolley, Professor in the Humanities at Syracuse University, New York. Her most recent book is Shakespeare Without Women (1999), and she has written widely on feminism and Renaissance Literature.

Inhaltsverzeichnis

List of Contributors. Introduction: Dympna Callaghan. Part I: The history of feminist Shakespeare criticism:. 1. The Ladiesa Shakespeare: Juliet Fleming. 2. Margaret Cavendish, Shakespeare Critic: Katherine M. Romack. 3. Misogyny is Everywhere: Phyllis Rackin. Part II: Text and Language:. 4. Feminist Editing and the Body of the Text: Laurie E Maguire. 5. Made to write a whorea Upon?: Male and Female Use of the Word Whore in Shakespearea s Canon: Kay Stanton. 6. A word, Sweet Lucrece: Confession, Feminism and The Rape of Lucrece: Margo Hendricks. Part III: Social Economies:. 7. Gender, Class, and the Ideology of Comic Form, Much Ado About Nothing and Twelfth Night: Mihoko Suzuki. 8. Gendered a Giftsa in Shakespearea s Belmont: The Economies of Exchange in Early Modern England: Jyotsna G. Singh. Part IV: Race and Colonialism:. 9. The Great Indian Vanishing Trick--Colonialism, Property and the Family in A Midsummer Nighta s Dream: Ania Loomba. 10. Black Ram, White Ewe: Shakespeare, Race, and Women: Joyce Green MacDonald. 11. Sycorax in Algiers: Cultural Politics and Gynecology in Early Modern England: Rachana Sachdev. 12. Black and White and Dread All Over: The Shakespeare Theatera s Photonegative Othello and the body of Desdemona: Denise Albanese. Part V: Performing Sexuality:. 13. Women and Boys Playing Shakespeare: Juliet Dusinberre. 14. Mutant Scenes and a Minora Conflicts in Richard II: MollySmith. 15. Lovesickness, Gender, and Subjectivity: Twelfth Night and As You Like It: Carol Thomas Neely. 16. In the Lesbian Void: Woman--Woman Eroticism in Shakespearea s Plays: Theodora Jankowski. 17. Duncana s Corpse: Susan Zimmerman. Part VI: Religion:. 18. Others and Lovers in The Merchant of Venice: M. Lindsay Kaplan. 19. Between Idolatry and Astrology: Modes of Temporal Repetition in Romeo and Juliet: Philippa Berry. Index.

Zusätzliche Informationen

GOR006589977
9780631208075
0631208070
A Feminist Companion to Shakespeare Dympna Callaghan
Gebraucht - Sehr Gut
Broschiert
John Wiley and Sons Ltd
2001-08-20
416
N/A
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