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Enrique Martinez Celaya Enrique Martinez Celaya

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Enrique Martinez Celaya von Enrique Martinez Celaya

Enrique Martinez Celaya Enrique Martinez Celaya


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Zusammenfassung

This collection, spanning two decades of artistic activity, features selections of writings tracing the intellectual influences and development of one of the more formidable and productive minds in the contemporary art world. These writings comprise public lectures, essays, interviews, correspondence with artists, critics, and scholars, artist statements, blog posts, and journal entries.

Enrique Martinez Celaya Zusammenfassung

Enrique Martinez Celaya: Collected Writings and Interviews, 1990-2010 Enrique Martinez Celaya

This collection, spanning two decades of artistic activity, features selections of writings tracing the intellectual influences and development of one of the more formidable and productive minds in the contemporary art world. The writings of Enrique Martinez Celaya comprise public lectures; essays; interviews; correspondence with artists, critics, and scholars; artist statements; blog posts; and journal entries. This selection of writings includes the six public lectures Martinez Celaya delivered during his three-year appointment as the second Visiting Presidential Professor at the University of Nebraska. Marked by an encyclopedic curiosity and considerable knowledge about the world, these lectures explore the nature of photography and painting, the role of the artist as prophet, the relationship of art to the university and the museum, as well as reflections on his own work. Enrique Martinez Celaya: Collected Writings and Interviews, 1990-2010 features seventy-nine photographs from Martinez Celaya's collection; an introduction by Klaus Ottmann, who teaches art history at the School of Visual Arts in New York and is the Robert Lehman Curator for The Parrish Art Museum in Southampton, New York; and a foreword by James B. Milliken, president of the University of Nebraska.

Enrique Martinez Celaya Bewertungen

Martinez Celaya's writings and interviews need to be closely considered. I've read the book over the last couple of weeks and can't stop thinking about the issues and ideas he raises.-L. Kent Wolgamott, Lincoln Journal Star

Über Enrique Martinez Celaya

Born in Cuba in 1964, Enrique Martinez Celaya majored in applied physics at Cornell University and pursued a PhD in quantum electronics at the University of California, Berkeley, where he was supported by a fellowship from the Brookhaven National Laboratory. He attended the Skowhegan School of Painting & Sculpture in Maine and received his MFA from the University of California, Santa Barbara. He was an associate professor at Pomona College and the Claremont Graduate University (1994-2003) and was Visiting Presidential Professor at the University of Nebraska (2007-10).

His work is in the permanent collections of the Metropolitan Museum of Art, the Whitney Museum of American Art, the Los Angeles County Museum of Art, The Museum of Fine Arts, Houston, the Museum der Bildenden Kunste Leipzig and others. His awards include the Anderson Ranch National Artist Award, the California Community Foundation Fellowship, J. Paul Getty Trust Fund for the Visual Arts, the Los Angeles County Museum of Art's Art Here and Now Award and the Hirsch Grant. In 1998 he founded Whale and Star, a publishing house whose books are distributed internationally. He is the author of numerous books, including Martinez Celaya: Early Work, Nomad, and The Blog: Bad Time for Poetry.

Inhaltsverzeichnis

Foreword by James B. Milliken

Introduction by Klaus Ottmann

Notes, 1990

Notes, 1991

Notes, 1992

Notes, 1993

A Manifesto, 1994

Notes, 1994

Notes, 1996

From an interview with Christopher Miles, 1997

Notes, 1997

From an interview with M. A. Greenstein, 1998

Notes, 1998

Berlin, 1998

From a Conversation with Donald Baechler, 1999

Notes to Anne Trueblood Brodzky, 1999

From a Conversation with Amnon Yariv, 1999

From an interview with Howard N. Fox, 1999

Notes, 2

Notes, 2001

Making and Meaning, 2001

From a lecture at the Orange County Museum of Art, 2001

Notes, 2002

From a letter to Daniel A. Siedell, 2002

From an interview with L. Kent Wolgamott, 2003

From Twelve Thoughts on the October Cycle, 2003

Letter of Resignation, 2003

From a Letter to Lisa Tamiris Becker, 2003

From a Conversation with Roald Hoffmann, 2003

Schneebett, 2004

Notes, 2004

Letter to Leon Golub, 2004

From an interview with Richard Whittaker, 2004

From a lecture at the Berliner Philharmonie, 2004

Notes, 2005

Letter to the Editor of the New York Times, 2005

From Currency for the Knowledge Economy, The Fuzzy Boundary: Science and Art, 2005

Shaping Language, 2006

Notes, 2006

Introductions to Projects, 2006

Photography as Grief, 2007

The Blog: Bad Time for Poetry, 2007

Sunday, August 26. Adorno as Cliche

Saturday, September 1. The Road

Wednesday, September 5. The end is important in all things (II)

Thursday, September 6. Criticism and Imitation

Saturday, September 8. A New Body of Work

Wednesday, September 12. In Favor of Speaking Up

Sunday, September 16. Complexity and Tidy Packages

Thursday, September 27. Reflections on a Return

Tuesday, December 4. Tall Words

A Personal Note on Art and Compassion, 2007

Notes, 2007

From Considering Painting and Meaning, 2007

Boy Raising His Arm, 2007

The Blog: Bad Time for Poetry, 2008

Thursday, February 7. Santa Monica Studio

Tuesday, February 12. Soul Searching

Monday, March 17. A Witty Age

Thursday, May 13. Being Cuban

Thursday, June 12. On Looking at the Work Done

Wednesday, July 16. The Hand

Tuesday, October 14. Unreasonable Pursuits: Moby-Dick

Tuesday, October 21. A Sentimental Education

Tuesday, December 2. Radical Doubting

Tuesday, November 11, 2008; Wednesday, December 17, 2008; Tuesday, December 23, 2008; Friday, January 9, 2009. Painting and Structure

Art and Museums, 2008

From an interview with Gillian Serisier, 2008

Systems, Time, and Daybreak, 2008

From an interview with Greg McComb, 2008

From an interview with Prue Gibson, 2009

The Blog: Bad Time for Poetry, 2009

Friday, January 23; Friday, January 30. Failure

Tuesday, February 3. Meltingly sweet, in autumn

Thursday, February 5. Innocent Fraud

Tuesday, April 28. You and the Kindle

Tuesday, May 12; Wednesday, May 13. Get Rid of Your Excuse

Art and the University, 2009

Notes, 2009

The Prophet, 2009

On Painting, 2010

Zusätzliche Informationen

GOR013761813
9780803234741
0803234740
Enrique Martinez Celaya: Collected Writings and Interviews, 1990-2010 Enrique Martinez Celaya
Gebraucht - Sehr Gut
Broschiert
University of Nebraska Press
20101101
272
N/A
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