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Rembrandt and the Face of Jesus Lloyd DeWitt

Rembrandt and the Face of Jesus von Lloyd DeWitt

Rembrandt and the Face of Jesus Lloyd DeWitt


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Zusammenfassung

Presents the seven known panels, 60 paintings, drawings, and prints by Rembrandt and his pupils. This title includes essays that offer insights into the production of panels and their relationship to other works in Rembrandt's oeuvre; how he changed the meaning and status of the canonical image of Christ in northern European art; and much more.

Rembrandt and the Face of Jesus Zusammenfassung

Rembrandt and the Face of Jesus Lloyd DeWitt

An intriguing new look at the historical significance of Rembrandt's representations of Christ

With the creation of the dramatic Supper at Emmaus (Louvre)and a series of intimate oil sketches of Christ on oak panels, Rembrandt van Rijn (1606-1669) overturned the entire history of Christian art. Traditionally, when depicting Christ, artists had relied on rigidly copied prototypes and icons. Among Rembrandt's innovations was his use of a Jewish model to portray a Christ imbued with empathy, gentleness, grace, and faithfulness to nature.

Lavishly illustrated, this captivating and important book presents the seven known panels, along with more than 60 paintings, drawings, and prints by Rembrandt and his pupils. Essays by expert contributors offer insights into the production of the panels and their relationship to other works in Rembrandt's oeuvre; how he changed the meaning and status of the canonical image of Christ in northern European art; and much more. Rembrandt and the Face of Jesus is a marvelously intriguing study of how one of the greatest painters of the Dutch Golden Age revolutionized an aspect of art history dating to antiquity.



Published in association with the Philadelphia Museum of Art


Exhibition Schedule:

Musee du Louvre, Paris (04/21/1107/18/11)

Philadelphia Museum of Art (08/03/1110/30/11)

Detroit Institute of Arts (11/20/1102/12/12)

Rembrandt and the Face of Jesus Bewertungen

The show skirts the thornier issue of Rembrandts relationship to Jews in general. On that subject the catalog has more to offer. The New York Times * The New York Times *
Scholarly and captivating catalog.The Big Think Reviews * The Big Think Reviews *
"[A]n engaging scholarly text . . . From this study, Rembrandt emerges as an ever more expert storyteller and examiner of humanity."A Golahny, Choice -- A Golahny * Choice *

Über Lloyd DeWitt

Lloyd DeWitt is Associate Curator in the Department of European Painting before 1900 at the Philadelphia Museum of Art. Blaise Ducos is Curator in the Departement des Peintures at the Musee du Louvre, Paris. Franziska Gottwald is a postdoctoral fellow at Queens University, Kingston, Ontario. George S. Keyes is Curator Emeritus of European Paintings at the Detroit Institute of Arts. Shelley Perlove is Professor of Art History at the University of Michigan, Dearborn. Larry Silver is Professor of Northern Renaissance Art at the University of Pennsylvania. Seymour Slive, a preeminant scholar of Dutch art and author of numerous books on the subject, was formerly Director of the Fogg Art Museum, Harvard University. Ken Sutherland is Conservation Scientist and Mark Tucker is Vice Chairman of Conservation, both at the Philadelphia Museum of Art.

Zusätzliche Informationen

GOR013645196
9780300169577
0300169574
Rembrandt and the Face of Jesus Lloyd DeWitt
Gebraucht - Wie Neu
Gebundene Ausgabe
Yale University Press
2011-07-18
256
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.