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The Architecture of Cinematic Spaces Mehruss Jon Ahi

The Architecture of Cinematic Spaces von Mehruss Jon Ahi

The Architecture of Cinematic Spaces Mehruss Jon Ahi


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Zusammenfassung

A highly visual, graphic analysis of film in terms of architecture, cinematic spaces and production design. Architectural floor plan drawings are presented alongside short, critical discussions of key twentieth and twenty-first-century films, which help the reader to evaluate architectural spaces in film and think about the stories they tell.

The Architecture of Cinematic Spaces Zusammenfassung

The Architecture of Cinematic Spaces: by Interiors Mehruss Jon Ahi

The Architecture of Cinematic Spaces by Interiors is a graphic exploration of architectural spaces in cinema that provides a new perspective on the relationship between architecture and film. Combining critical essays with original architectural floor plan drawings, the book discusses production design in key films from the twentieth and twenty-first centuries, including The Cabinet of Dr. Caligari, Rope, Le mepris, Playtime, 2001: A Space Odyssey, Home Alone, Panic Room, A Single Man, Her and Columbus. Each chapter is accompanied by an original floor plan of a key scene, bridging the gap between film criticism and architectural practice. The book, written by the editors of the critically acclaimed online journal Interiors, will appeal to both film and architecture communities, and everyone in between. A must-read for fans and scholars alike, this volume prompts us to reconsider the spaces our favourite characters occupy and to listen to the stories those spaces can tell.

The Architecture of Cinematic Spaces Bewertungen

'Architects will be most interested in the floor plans, though in the end it's the texts that are the most revealing. [...] I like the analyses of the authors, and it's nice to see the floor plans of the extra-dimensional hotel in 2001: A Space Odyssey; apartments from Playtime, Her, and Rope; and the house from Home Alone, among other primarily domestic spaces.'

-- John Hill, A Daily Dose of Architecture Books

'The Architecture Of Cinematic Spaces, a visually-enticing illustration of key film locations from some of history's most lauded on-set dwellings, takes an interesting approach to help readers understand the importance of 'setting.' Covering a series of unprecedented designs from films [...] the book takes an artistic, but educated look into the science behind set design, illuminating the stories that each space can tell through a series of critical essays and original floor plan drawings.'

-- HiConsumption

'A highly visual, graphic analysis of film in terms of architecture, cinematic spaces and production design, and discusses films such as The Cabinet of Dr. Caligari, Rope, Le mepris, Playtime, 2001: A Space Odyssey, Home Alone, Panic Room, A Single Man, Her and Columbus. [The book] takes you on a journey through the fashion of the 1990s.'

-- Classiq Journal

Über Mehruss Jon Ahi

Mehruss Jon Ahi is an architectural designer, real estate developer, graphic artist, and the co-founder and creative director of the online publication Interiors.

Armen Karaoghlanian is a filmmaker and entrepreneur, the co-founder of the Armenian Film Society, and the co-founder and editor-in-chief of the online publication Interiors.

Inhaltsverzeichnis

01: The Cabinet of Dr. Caligari (1920)

02: Rope (1948)

03: Le mepris (1963)

04: Playtime (1967)

05: 2001: A Space Odyssey (1968)

06: Home Alone (1990)

07: Panic Room (2002)

08: A Single Man (2009)

09: Her (2013)

10: Columbus (2017)

Zusätzliche Informationen

GOR013751133
9781789382051
178938205X
The Architecture of Cinematic Spaces: by Interiors Mehruss Jon Ahi
Gebraucht - Wie Neu
Broschiert
Intellect Books
2020-03-02
96
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.