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Tracks: Walking the Ancient Landscapes of Britain Philip Hughes

Tracks: Walking the Ancient Landscapes of Britain von Philip Hughes

Tracks: Walking the Ancient Landscapes of Britain Philip Hughes


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Zusammenfassung

In over 140 reproduced artworks, this work records eleven iconic walks across the length and breadth of Britain, from Allt Coire Pheiginn in Scotland to Zennor Head in Cornwall. Informed by maps, aerial photographs and electronic survey techniques, it is suitable for artists, walkers and those who share a deep love of art and landscape.

Tracks: Walking the Ancient Landscapes of Britain Zusammenfassung

Tracks: Walking the Ancient Landscapes of Britain Philip Hughes

In over 140 superbly reproduced artworks, the distinguished artist Philip Hughes records eleven iconic walks across the length and breadth of Britain, from Allt Coire Pheiginn in Scotland to Zennor Head in Cornwall. Inspired and informed by maps, aerial photographs and the latest electronic survey techniques, Hughess clean, spacious artworks, with their arresting blocks of colour, make contemporary some of the most ancient and formidable landmarks of the British Isles. This is a beautiful, reflective book that will resonate with artists, walkers and anyone who shares a deep love of art and landscape. Eleven sections, organized geographically by location, come complete with short introductions by the artist, noting key routes and impressions, and illustrated by Ordnance Survey map openers. Each section features important local heritage sites, whether Neolithic settlements such as Maes Howe in Orkney, standing stones such as Stonehenge in Wiltshire, mountains of special geological interest such as the Three Peaks in Yorkshire, or locations of particular mystery and beauty such as Silbury Hill, the oldest and tallest artificial mound in Europe. Written notes, archaeological scans and contour maps are often incorporated into Hughess aquacryl, acrylic, gouache and tempera artworks; notebook spreads, containing exquisite drawings and paintings made on the spot, are also on display here. Pull quotes throughout consist of evocative extracts from the artists diaries and notes, shedding light on the mood and atmosphere of the awe-inspiring landscapes in view.

Tracks: Walking the Ancient Landscapes of Britain Bewertungen

'Beautifully reproduced artworks make contemporary some of the most ancient and formidable landmarks of the British Isles stunning paintings' - Wildlife

Über Philip Hughes

Philip Hughes is a widely exhibited artist. Born in London he studied at Cambridge University. Self-taught as an artist, his vision has been shaped by extensive travel linked to a preoccupation with the structure of landscape and the archaeology of ancient cultures. Hughes work is represented in numerous public collections including The British Museum, Victoria and Albert Museum and the UK Government Collection in London, UK and the Library of Congress, Washington D.C., U.S.A. He served on the council of the Royal College of Art (1987-1992), on the board of the Design Museum (1990-1996) and as Chairman of the Trustees of the National Gallery (1996-2000).

Inhaltsverzeichnis

Introduction by Kay Syrad Orkney [Northern Scotland] Assynt [Northwest Scotland] Rannoch Moor [Central Highlands, Scotland] Islay - The West Coast [Southern Hebrides] Hadrians Wall [Northumberland] The Three Peaks [Yorkshire] Cornwall - South West Coastal Path [Cornwall] Stonehenge [Wiltshire] Avebury and Silbury [Wiltshire] Ridgeway [Wiltshire] South Downs Way [Sussex]

Zusätzliche Informationen

GOR010750913
9780500516201
0500516200
Tracks: Walking the Ancient Landscapes of Britain Philip Hughes
Gebraucht - Wie Neu
Gebundene Ausgabe
Thames & Hudson Ltd
2012-05-28
192
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.