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American Cinema of the 1950s Professor Murray Pomerance (Independent scholar, Canada)

American Cinema of the 1950s von Professor Murray Pomerance (Independent scholar, Canada)

American Cinema of the 1950s Professor Murray Pomerance (Independent scholar, Canada)


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Zusammenfassung

America in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Cold war hysteria and anti-communist witch hunts influenced a culture already falling under the spell of suburbia, television and a world of luxury goods.

American Cinema of the 1950s Zusammenfassung

American Cinema of the 1950s: Themes and Variations Professor Murray Pomerance (Independent scholar, Canada)

America in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Cold war hysteria and anti-communist witch hunts influenced a culture already falling under the spell of suburbia, television and a brave new world of luxury goods.Throughout the decade Hollywood was under siege: from the Justice Department pressing for big film companies to divest themselves of their theatre holdings; from the middle classes, whose retreat to family entertainment inside the home drastically decreased the film-going audience; and from the House Un-American Activities Committee, attempting to purge the country of dissenting political views. This tumultuous decade also saw some of Hollywoods most talented filmmakers - John Ford, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray and Billy Wilder - producing some of the best-loved movies in the history of cinema, including From Here to Eternity, Sunset Boulevard., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause.

Über Professor Murray Pomerance (Independent scholar, Canada)

Murray Pomerance is a professor in the Department of Sociology at Ryerson University, which he chairs. He is editor of the Horizons of Cinema series at SUNY Press and co-editor, with Lester D. Friedman, of the Screen Decades series in which this volume appears.

Inhaltsverzeichnis

Timeline: The 1950s Murray Pomerance (Ryerson University, USA) Introduction: Movies and the 1950s Mary Beth Haralovich (University of Arizona, USA) 1950: Movies and Landscapes Kristen Hatch (University of California, USA) 1951: Movies and the New Faces of Masculinity Sumiko Higashi (State University of New York, USA) 1952: Movies and the Paradox of Female Stardom Rebecca Bell-Metereau (Texas State University, USA) 1953: Movies and Our Secret Lives Michael DeAngelis (DePaul University's School for New Learning) 1954: Movies and the Walls of Privacy Jon Lewis (Oregon State University, USA) 1955: Movies and Growing Up ... Absurd Barry Keith Grant (Brock University, USA) 1956: Movies and the Crack of Doom Murray Pomerance (Ryerson University, USA) 1957: Movies and the Search for Proportion Adrienne L. McLean (University of Texas, USA) 1958: Movies and Allegories of Ambivalence Arthur Knight (College of William and Mary, Williamsburg, USA) 1959: Movies and the Racial Divide Select Academy Awards, 1950-1959 Works Cited and Consulted Contributors Index

Zusätzliche Informationen

GOR013494527
9781845204372
1845204379
American Cinema of the 1950s: Themes and Variations Professor Murray Pomerance (Independent scholar, Canada)
Gebraucht - Wie Neu
Broschiert
Bloomsbury Publishing PLC
20051201
272
N/A
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