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Musical Forms Listening Scores Roy Bennett

Musical Forms Listening Scores von Roy Bennett

Musical Forms Listening Scores Roy Bennett


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Zusammenfassung

Designed to provide teachers and GCSE pupils with an accessible collection of easy-to-follow scores, this textbook offers basic material for general listening lessons and includes 45 scores, selected from a variety of composers from the 17th to the 20th centuries.

Musical Forms Listening Scores Zusammenfassung

Musical Forms Listening Scores Roy Bennett

Designed to provide teachers and GCSE pupils with an accessible collection of easy-to-follow scores, this text provides basic material for general listening lessons. The book contains 45 scores, selected from a variety of composers from the 17th to the 20th centuries, of different lengths and types including single and two stave, keyboard, songs, string quartet, vocal and a few simple orchestral scores in miniature score format. Descriptions and diagrams are given of each musical form or structure. Preceding each score there is a brief introduction to the particular piece of music, with points for pupils to investigate or listen for in the music. After listening to the scores on the accompanying cassette, there are follow-up questions, some related to the form and structure of the music and others concerned with basic concepts important to the listening element of the GCSE syllabus, such as instrumentation, voices, key and tonality, cadences, accompaniment, mood and character. Also included are five projects, offering opportunities for revision and further exploration of other pieces varied in type, style and period. This book is a Cambridge University Press publication from July 1995.

Inhaltsverzeichnis

Part 1 Binary form: Piece No 18 from the Water Music, Handel; Bourree from the Royal Fireworks Music, Handel; Sarabande and Gavotte from French Suite No 6, Bach. Part 2 Ternary form: Piece No 4 from Papillons, Schumann; Masks from Romeo and Juliet, Prokofiev; Montagues and Capulets from Romeo and Juliet, Prokofiev; Andante Cantabile from String Quartet No 1, Tchaikovsky; Celeste Aida from the opera Aida, Verdi. Part 3 Simple rondo form: Rondo from Horn Concerto No 2 in E major, Mozart. Part 4 Project 1: Hornpipe in E minor, Purcell; Dance of the Rose, Maidens from Gayaneh and Sabre Dance from Gayaneh, Khatchaturian; Forlane from Orchestral Suite No 1, Bach; Lacrymosa from Requiem in D minor, Mozart. Part 5 Ritornello form: first movement of the concerto Autumn from The Four Seasons, Vivaldi. Part 6 Minuet and trio form: Minuet from Symphony No 36 in C major - The Linz, Scherzo and Trio, Mozart; Scherzo from Piano Sonata No 2 in A major, Opus 2 No 2, Beethoven. Part 7 Variation form (theme and variations): Prelude to L'Arlesienne, Bizet; Variations on Unser dummer Pobel, Mozart; Fourth movement from Septet in E flat, Beethoven. Part 8 The ground bass: Sound the Trumpet, Purcell; Finale from Variations on a Theme by Haydn, Brahms. Part 9 Project 2: Third movement from Clarinet Quintet in A major, Mozart; Scherzo from Symphony No 2 in D major, Beethoven; Brigg Fair (excerpt), Delius; Variations on a Shaker song, from the ballet Appalachian Spring, Copland; The Death of Falstaff from music for the film Henry V, Walton. Part 10 Da capo aria: Dove sel (Art Thou Troubled) from Rodelinda, Handel. Part 11 Lieder - strophic and through-composed: Song No 1 from Dichterliebe, Schumann; Erlkonig (The Erlking), Schubert. Part 12 Project 3: Der Tod und das Madchen (Death and the Maiden), Schubert. Part 13 Canon and fugue: Farandole from L'Arlesienne Suite 2, Bizet; Chorale prelude - In dulci jubilo, Bach; Fugue in C minor from The Well-Tempered Cavalier, Bach; first two movements from Concerto Grosso in G minor, Opus 6 No 6, Handel. Part 14 Project 4: recitative and chorus from Messiah, Handel. Part 15 Sonata form: Overture - The Hebrides (Fingal's Cave), Mendelssohn. Part 16 Abridged sonata form: Overture to La Gazza Ladra (The Thievish Magpie), Rossini. Part 17 Sonata-rondo form: Third movement from Violin Concerto in D major, Beethoven. Part 18 Project 5: Chorale - Jesu Joy of Man's Desiring, Bach; Coronation anthem from Zadok the Priest, Handel; On Hearing the First Cuckoo in Spring, Delius.

Zusätzliche Informationen

GOR003456274
9780582003583
058200358X
Musical Forms Listening Scores Roy Bennett
Gebraucht - Sehr Gut
Broschiert
Cambridge University Press
1999-09-14
80
N/A
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