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Open Graves, Open Minds Sam George

Open Graves, Open Minds von Sam George

Open Graves, Open Minds Sam George


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Zusammenfassung

Relates the Undead in literature and other media to questions concerning genre, technology, consumption and social change

Open Graves, Open Minds Zusammenfassung

Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present Day Sam George

This collection of interconnected essays relates the Undead in literature, art and other media to questions concerning gender, race, genre, technology, consumption and social change.

A coherent narrative follows Enlightenment studies of the vampire's origins in folklore and folk panics, the sources of vampire fiction, through Romantic incarnations in Byron and Polidori to Le Fanu's Carmilla. Further essays discuss the Undead in the context of Dracula, fin-de-siecle decadence, Nazi Germany and early cinematic treatments. The rise of the sympathetic vampire is charted from Coppola's film, Bram Stoker's Dracula, to Buffy the Vampire Slayer and Twilight. More recent manifestations in novels, TV, Goth subculture, young adult fiction and cinema are dealt with in discussions of True Blood, The Vampire Diaries and much more.

Featuring distinguished contributors, including a prominent novelist, and aimed at interdisciplinary scholars or postgraduate students, it will also appeal to aficionados of creative writing and Undead enthusiasts.

www.opengravesopenminds.com

Open Graves, Open Minds Bewertungen

'...the book is highly recommended as a primary reference work on the media vampire.'
Andy Boylan, Taliesin Meets the Vampires blog, 13 March 2015

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Über Sam George

Sam George is Senior Lecturer in Literature at the University of Hertfordshire

Bill Hughes was recently awarded his doctorate from the University of Sheffield

Inhaltsverzeichnis

1. Introduction Sam George and Bill Hughes
2. The deformed transformed; or, from bloodsucker to Byronic hero: Polidori and the literary vampire Conrad Aquilina,
3. Sheridan Le Fanus vampires and Irelands invited invasion Julieann Ulin
4. He make in the mirror no reflect: Undead aesthetics and mechanical reproduction Dorian Gray, Dracula, and David Reeds vampiric painting Sam George
5. The vampire as dark and glorious necessity in George Sylvester Vierecks House of the Vampire and Hanns Heinz Ewers Vampir Lisa Lampert-Weissig
6. The Undead in the kingdom of shadows: the rise of the cinematic vampire Stacey Abbott
7. Crossing oceans of time: Stoker, Coppola and the new vampire film Lindsey Scott
8. I feel strong. I feel different: transformations, vampires and language in Buffy the Vampire Slayer Malgorzata Drewniok
9. Gothic Charm School; or, how vampires learned to sparkle Catherine Spooner
10. A vampire heaven: the economics of salvation in Dracula and Twilight Jennifer H. Williams
11. The Twilight Saga and the pleasures of spectatorship: the broken body and the shining body Sara Wasson and Sarah Artt
12. The postmodern vampire in post-race America: HBOs True Blood Michelle Smith
13. Myriad mirrors: doppelgangers and doubling in The Vampire Diaries Kimberley McMahon-Coleman
14. The vampire in the machine: exploring the undead interface Ivan Phillips
15. Legally recognised undead: essence, difference, and assimilation in Daniel Waterss Generation Dead Bill Hughes
16. The elusive vampire: folklore and fiction writing My Swordhand is Singing Marcus Sedgwick
Bibliography
Index

Zusätzliche Informationen

GOR010212611
9781784993627
178499362X
Open Graves, Open Minds: Representations of Vampires and the Undead from the Enlightenment to the Present Day Sam George
Gebraucht - Sehr Gut
Broschiert
Manchester University Press
2016-05-18
320
N/A
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