This second volume focuses on major works of art produced in Siena, Florence or Padua or executed by artists associated with the three cities. The case studies include discussions of the evolution of two important building types (town halls and cathedrals); the devotional and liturgical contexts of pre-eminent 14th-century altar-pieces; interpretation of the major fresco cycles in the Arena Chapel, Padua, and the Sala dei Nove, Siena; the significance of sculpted representations of the body; and the distinctive impact of familial or specifically female patronage.