Leon Edel has recently noted that "there exists, I am sorry to say, no criticism of biography worthy of the name. Reviewers and critics have learned how to judge plays, poems, novelsbut they reveal their helplessness in the face of a biography." The Biographer's Art, by concentrating on the aesthetics of the genre, responds to the need for serious criticism of life-writing. This book is both a history of the genre and a substantial analysis of the great literary biographies from Johnson's Life of Savage (1744) and Boswell's Life of Johnson (1791) through Strachey's Eminent Victorians (1918) and Symons' The Quest for Corvo (1934) to the three greatest biographies of the mid-twentieth century: Ellmann's James Joyce (1959), Painter's Marcel Proust (1959, 1965), and Edel's monumental Henry James (1953-72). The masterful biographies by Ellmann, Painter, and Edel, that continue the tradition begun by Johnson and Boswell and show the influence of Strachey's innovative work, confirm that biography is still a flourishing art form. By firing the facts of an author's life with their own imagination, illuminating the relationship between daily existence and imaginative life, these life-writers follow the same process as fiction writers and create their own significant works of art.