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Female Masculinity Judith Halberstam

Female Masculinity von Judith Halberstam

Female Masculinity Judith Halberstam


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Zusammenfassung

Takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. This book uncovers a hidden history of female masculinities while arguing for a an understanding of gender categories that would incorporate rather than pathologise them.

Female Masculinity Zusammenfassung

Female Masculinity Judith Halberstam

Masculinity without men. In Female Masculinity Judith Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two hundred years. Providing the first full-length study on this subject, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.
Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. She rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity. She considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities. She also explores issues of transsexuality among "transgender dykes"-lesbians who pass as men-and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.
Female Masculinity signals a new understanding of masculine behaviors and identities, and a new direction in interdisciplinary queer scholarship. Illustrated with nearly forty photographs, including portraits, film stills, and drag king performance shots, this book provides an extensive record of the wide range of female masculinities. And as Halberstam clearly demonstrates, female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders.


Female Masculinity Bewertungen

"Female Masculinity is a very important work that scholars in cultural studies will be talking about for years. Nothing like it exists, period."-Esther Newton, author of Cherry Grove, Fire Island
"Thank goodness for the dashing Judith Halberstam! Her new book is a smart, entertaining and informed tour of that most threatening of cultural identities: the masculine female. Oh, yum!"-Kate Bornstein, author of My Gender Workbook

Über Judith Halberstam

Judith Halberstam is Professor of Literature at the University of California in San Diego. She is the author of Skin Shows: Gothic Horror and the Technology of Monsters, also published by Duke University Press, and writes a regular film review column for Girlfriends magazine.

Inhaltsverzeichnis

Illustrations; Preface 1.An introduction to female masculinity: Masculinity without men; 2. Perverse presentism: The androgyne, the tribade, the female husband and other pre-twentieth-century genders; 3. "A writer of misfits": John Radclyffe Hall the discourse of inversion; 4. Lesbian masculinity: Even stone butches get the blues; 5. Transgender butch: Butch/FTM border wars and the masculine continuum; 6. Looking butch: A rough guide to butches on film; 7. Drag kings: Masculinity and performance; 8. Raging bull (Dyke): New masculinities Notes; Bibliography; Filmography; Index

Zusätzliche Informationen

GOR010987978
9780822322436
0822322439
Female Masculinity Judith Halberstam
Gebraucht - Wie Neu
Broschiert
Duke University Press
1998-10-25
360
Winner of Triangle Awards (Lesbian Nonfiction) 1999 Short-listed for Lambda Literary Awards (Lesbian Studies) 1998 Short-listed for Lambda Literary Awards (Transgender) 1998
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.