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Seeing Is Forgetting the Name of the Thing One Sees Lawrence Weschler

Seeing Is Forgetting the Name of the Thing One Sees von Lawrence Weschler

Seeing Is Forgetting the Name of the Thing One Sees Lawrence Weschler

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Zusammenfassung

Chronicles three decades of conversation between Lawrence Weschler and light and space master Robert Irwin. This book surveys many of Irwin's site-conditioned projects - in particular the Central Gardens at the Getty Museum and the design that transformed an abandoned Hudson Valley factory into Dia's new Beacon campus.

Seeing Is Forgetting the Name of the Thing One Sees Zusammenfassung

Seeing Is Forgetting the Name of the Thing One Sees: Expanded Edition Lawrence Weschler

When this book first appeared in 1982, it introduced readers to Robert Irwin, the Los Angeles artist 'who one day got hooked on his own curiosity and decided to live it'. Now expanded to include six additional chapters and twenty-four pages of color plates, Seeing Is Forgetting the Name of the Thing One Sees chronicles three decades of conversation between Lawrence Weschler and light and space master Irwin. It surveys many of Irwin's site-conditioned projects - in particular the Central Gardens at the Getty Museum (the subject of an epic battle with the site's principal architect, Richard Meier) and the design that transformed an abandoned Hudson Valley factory into Dia's new Beacon campus - enhancing what many had already considered the best book ever on an artist.

Seeing Is Forgetting the Name of the Thing One Sees Bewertungen

A magnetic (now expanded) biography. -- Robert L. Pincus San Diego Union-Tribune Seeing is Forgetting may not be just the best biography of an artist out there but also one of the best books on contemporary art-making. -- Eugenia Bell Frieze

Über Lawrence Weschler

Lawrence Weschler's many books include Mr. Wilson's Cabinet of Wonder, Vermeer in Bosnia, and Everything That Rises: A Book of Convergences, which won the 2007 National Book Critics Circle Award for Criticism.

Inhaltsverzeichnis

A Note on the Illustrations A Further Note on the Drifting Present in the Narrative That Follows Seeing is Forgetting the Name of the Thing One Sees (1982) Introduction Lifesource 1. High School (1943-1946) 2. Childhood (1928-1943) 3. Army, Schooling, Europe, and Early Work (1946-1957) The Narrows (Part 1) 4. Ferus (Los Angeles/ New York) 5. The Early Ferus Years From Abstract Expressionism through the Early Lines (1957-1962) 6. The Late Ferus Years: The Late Lines (1962-1964) The Narrows (Part 2) 7. The Dots (1964-1967) 8. The Discs (1967-1969) 9. Post-disc Experiments and Columns (1968-1970) Delta Prelude 10. Teaching 11. Art and Science (1968-1970) 12. Playing the Horses 13. The Room at the Museum of Modern Art (1970) Debouchement Oceanic 14. The Desert 15. Being Available in Response 16. Some Situations (1970-1976) 17. Reading and Writing 18. The Whitney Retrospective Down to Point Zero (1977) 19. Since the Whitney: Return to the World (1977-1981) Present All Around 20. Seeing Isn't Doing (1985) 21. Play It as It Lays and Keep it in Play The Irwin Retrospective at MOCA in Los Angeles(1993) 22. When Fountainheads Collide: Robert Irwin at Richard Meier's Getty (1997) 23. Heaven: Irwin and Meyerowitz at the Dia (2000) 24. Irwin in his Seventies (2007-2008) Afterword: On Robert Irwin and David Hockney Acknowledgements Bibliographic notes Index

Zusätzliche Informationen

GOR013682961
9780520256095
0520256093
Seeing Is Forgetting the Name of the Thing One Sees: Expanded Edition Lawrence Weschler
Lawrence Weschler
Gebraucht - Wie Neu
Broschiert
University of California Press
20090202
336
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.