Leadbelly, Robert Johnson, Charley Patton-we are all familiar with the story of the Delta blues. Fierce, raw voices; tormented drifters; deals with the devil at the crossroads at midnight. In this extraordinary reconstruction of the origins of the Delta blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. The idea of something called Delta blues only emerged in the mid-twentieth century, the culmination of a longstanding white fascination with the exotic mysteries of black music. Hamilton shows that the Delta blues was effectively invented by white pilgrims, seekers, and propagandists who headed deep into Americas south in search of an authentic black voice of rage and redemption. In their quest, and in the immense popularity of the music they championed, we confront Americas ongoing love affair with racial difference. * Marybeth Hamiltons gripping new book tells of seekers, ranters, scholars, oddballs, propagandists, and down-and-out loners, united in a search for the Mississippi Delta blues. More than anybody, she says, this quirky and dedicated band not simply recovered the blues but turned Delta music into one of the fundamentals of modern musical culture. (Sean Wilentz)