Warenkorb
Kostenloser Versand
Unsere Operationen sind klimaneutral

Magic. 1400s-1950s Mike Caveney

Magic. 1400s-1950s von Mike Caveney

Magic. 1400s-1950s Mike Caveney


€83.99
Zustand - Wie Neu
Nur noch 1

Zusammenfassung

Take a truly magical mystery tour with this sparkling compendium of magic and trickery from medieval thaumaturgies to 20th-century showmen. Featuring hundreds of rarely seen vintage posters, photographs, handbills, and engravings, Magic follows this special performing art from the 1400s to the 1950s.

Magic. 1400s-1950s Zusammenfassung

Magic. 1400s-1950s Mike Caveney

Magic has enchanted humankind for millennia, evoking terror, laughter, shock, and amazement. Once persecuted as heretics and sorcerers, magicians have always been conduits to a parallel universe of limitless possibility-whether invoking spirits, reading minds, or inverting the laws of nature by sleight of hand. Long before science fiction, virtual realities, video games, and the internet, the craft of magic was the most powerful fantasy world man had ever known. As the pioneers of special effects throughout history, magicians have never ceased to mystify us by making the impossible possible.

This book celebrates more than 500 years of the stunning visual culture of the world's greatest magicians. Featuring more than 850 rarely seen vintage posters, photographs, handbills, and engravings as well as paintings by Hieronymus Bosch and Caravaggio among others, The Big Book of Magic traces the history of magic as a performing art from the 1400s to the 1950s. Combining sensational images with incisive text, the book explores the evolution of the magician's craft, from medieval street performers to the brilliant stage magicians who gave rise to cinematic special effects; from the 19th century's Golden Age of Magic to groundbreaking daredevils like Houdini and the early 20th century's vaudevillians.

Magic. 1400s-1950s Bewertungen

An eye popping book of massive scope, beautifully presented and full of stunning vintage poster art. * Wings Art & Design Studio *
An irresistible tour through centuries of wonder. * The Globe and Mail *
...capturing the world's greatest magicians in more than 1,000 rarely seen posters, photographs and engravings. Predictably, it is disappearing from bookshelves across the world. * The Sunday Times Magazine *

Über Mike Caveney

Mike Caveney is a writer, collector, professional magician, and the publisher of over 50 books on the theory, practice, and history of magic. His biographical works include Kellar's Wonders (2003) with Bill Miesel, and Carter the Great (1995). An avid collector and performer for over four decades, he has appeared onstage or on TV in more than 20 countries. Jim Steinmeyer is the author of many books on magic history and practice, including Los Angeles Times best seller Hiding the Elephant (2004) and The Glorious Deception (2006). He has created deceptions featured by magicians such as Doug Henning, David Copperfield, and Siegfried and Roy, and critically acclaimed illusions for Broadway hits Mary Poppins, Beauty and the Beast, and Into the Woods. Ricky Jay, who has contributed the introduction to this book, is one of the world's great sleight of hand artists, and a distinguished actor, historian, and best-selling author. His Learned Pigs & Fireproof Women and Jay's Journal of Anomalies were both New York Times Notable Books of the Year, and he defined the terms of his art for The Cambridge Guide to American Theatre and Encyclopedia Britannica. Noel Daniel is a graduate of Princeton University and a former Fulbright Scholar to Berlin. Her TASCHEN publications include TATTOO 1730s-1950s, Kay Nielsen's A Thousand and One Nights and East of the Sun and West of the Moon, The Fairy Tales of the Brothers Grimm, The Fairy Tales of Hans Christian Andersen, Wintertime Tales, Magic, and The Circus.

Zusätzliche Informationen

GOR012130718
9783836528078
383652807X
Magic. 1400s-1950s Mike Caveney
Gebraucht - Wie Neu
Gebundene Ausgabe
Taschen GmbH
20160803
544
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.