Mein Konto
Login Anmeldung
Alles
Warenkorb
Neuesten Trends
Belletristik
Sachbücher
Kinderbücher
Seltene Bücher
Musik
DVD & Blu-Ray
Kategorie
Wunschlisten
Warenkorb
Alles
Kostenloser Versand
Trustpilot
Unsere Operationen sind klimaneutral

The Politics of Opera Mitchell Cohen

The Politics of Opera von Mitchell Cohen

The Politics of Opera Mitchell Cohen

€17.99
Zustand - Sehr Gut
Nicht auf Lager
Sehr Gut

The Politics of Opera Zusammenfassung

The Politics of Opera: A History from Monteverdi to Mozart Mitchell Cohen

A wide-ranging look at the interplay of opera and political ideas through the centuries The Politics of Opera takes readers on a fascinating journey into the entwined development of opera and politics, from the Renaissance through the turn of the nineteenth century. What political backdrops have shaped opera? How has opera conveyed the political ideas of its times? Delving into European history and thought and an array of music by such greats as Lully, Rameau, and Mozart, Mitchell Cohen reveals how politics--through story lines, symbols, harmonies, and musical motifs--has played an operatic role both robust and sotto voce. Cohen begins with opera's emergence under Medici absolutism in Florence during the late Renaissance--where debates by humanists, including Galileo's father, led to the first operas in the late sixteenth century. Taking readers to Mantua and Venice, where composer Claudio Monteverdi flourished, Cohen examines how early operatic works like Orfeo used mythology to reflect on governance and policy issues of the day, such as state jurisdictions and immigration. Cohen explores France in the ages of Louis XIV and the Enlightenment and Vienna before and during the French Revolution, where the deceptive lightness of Mozart's masterpieces touched on the havoc of misrule and hidden abuses of power. Cohen also looks at smaller works, including a one-act opera written and composed by philosopher Jean-Jacques Rousseau. Essential characters, ancient and modern, make appearances throughout: Nero, Seneca, Machiavelli, Mazarin, Fenelon, Metastasio, Beaumarchais, da Ponte, and many more. An engrossing book that will interest all who love opera and are intrigued by politics, The Politics of Opera offers a compelling investigation into the intersections of music and the state.

The Politics of Opera Bewertungen

Shortlisted for the Laura Shannon Prize in Contemporary European Studies, Nanovic Institute, University of Notre Dame
Winner of the 2018 PROSE Award in Music & the Performing Arts, Association of American Publishers
Winner of the 2018 Presidential Excellence Award for Distinguished Scholarship, Baruch College, City University of New York
One of the Evening Standard Best Books of 2017 (chosen by Anne McElvoy)
The Politics of Opera: A History from Monteverdi to Mozart has boldly placed Machiavelli and early modern political theory at the center of the early history of opera, reflecting creatively on the ways in which the reverberations of the great Florentine realist reached even into the musical realm. . . . Cohen has demonstrated that the history of opera is connected to the history of political theory, but operatic masterpieces also acquire new layers of political meaning as they encounter new generations and newly fraught political circumstances.---Larry Wolff, New York Review of Books
This subtly insightful book helps readers experience these timeless masterpieces anew. * Foreign Affairs *
Surprises await even the well-informed operaphile. * Opera News *
A fascinating study of opera's musicology, performance history, and the political operatives who were pulling the artistic strings. * New York Journal of Books *
Delving into the world of composers such as Monteverdi, Lully, Rameau and Mozart, the author reveals how operas, through story lines, symbols, harmonies and musical motifs, have spoken of politics--sometimes loudly, sometimes sotto voce. * Opera America *
[A] first-rate scholarly work . . . that is both instructive in itself and methodologically and conceptually valuable for other periods and, indeed, media.---Jeremy Black, Foreign Policy Research Institute
Mitchell Cohen has written a very erudite book that takes us down the highways and, especially, the byways of European political thought in the early modern period. . . . The persevering reader will find much instruction and new insight into some old favourites.---Tim Blanning, Literary Review
Operas, the author argues, change their political meanings according to their setting, and the deep research and clear prose here hit a high C.---Anne McElvoy, The Evening Standard
Suffice it to say, when Mitchell Cohen sees and hears an opera, he sees and hears a lot. To you, it may seem primarily a piece of music or a piece of lyric theater. For him, it reveals layer upon layer, politically, socially, and historically. . . . Cohen is very good at getting under the skin of a piece and gauging the environment in which it was created. At the same time, he realizes that a really good work of art transcends time and space. . . . A book such as Cohen's may not be for everyone--whose is?--but it is certainly for some.---Jay Nordlinger, The Weekly Standard
How should the history of political thought be written? . . . [A bold] step has been taken by Mitchell Cohen in his new book. Cohen, a political scientist who is also a music lover, is equally interested in the place of music in politics (metaphors of harmony, for instance) and the place of politics in music. . . . [His book] discusses not only the political context of operas and what is said openly in their librettos but, more unusually, the music as well-changing keys, recurrent motifs, and their emotional associations. . . . He often impresses.---Peter Burke, Common Knowledge

Über Mitchell Cohen

Mitchell Cohen is professor of political science at Baruch College and the Graduate Center of the City University of New York and editor emeritus of Dissent magazine. His books include Zion and State and The Wager of Lucien Goldmann (Princeton). His writing has appeared in such publications as the New York Times and the Times Literary Supplement. He lives in New York City.

Zusätzliche Informationen

GOR012768525
9780691175027
0691175020
The Politics of Opera: A History from Monteverdi to Mozart Mitchell Cohen
Mitchell Cohen
Gebraucht - Sehr Gut
Gebundene Ausgabe
Princeton University Press
20170905
512
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Dies ist ein gebrauchtes Buch. Es wurde schon einmal gelesen und weist von der früheren Nutzung Gebrauchsspuren auf. Wir gehen davon aus, dass es im Großen und Ganzen in einem sehr guten Zustand ist. Sollten Sie jedoch nicht vollständig zufrieden sein, setzen Sie sich bitte mit uns in Verbindung.