David Schwimmer stars in this West End production of Neil LaBute's play Some Girl(s), which previews from 12 May 2005 at the Gielgud Theatre.

"The most legitimately provocative and polarizing playwright at work today."--David Amsden, "New York" magazine "[LaBute's] view of modern men and women is unsparing . . . [He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that--if only in some dark corner of our souls--it is there."--Jacques le Sourd, "The Journal News" (White Plains, NY)
"LaBute . . . continues to probe the fascinating dark side of individualism . . . [His] great gift is to live in and to chronicle that murky area of not-knowing, which mankind spends much of its waking life denying."--John Lahr, "The New Yorker"""

The most legitimately provocative and polarizing playwright at work today. "David Amsden, New York magazine"

[LaBute's] view of modern men and women is unsparing . . . [He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that--if only in some dark corner of our souls--it is there. "Jacques le Sourd, The Journal News (White Plains, NY)"

LaBute . . . continues to probe the fascinating dark side of individualism . . . [His] great gift is to live in and to chronicle that murky area of not-knowing, which mankind spends much of its waking life denying. "John Lahr, The New Yorker""

The most legitimately provocative and polarizing playwright at work today. David Amsden, New York magazine

[LaBute's] view of modern men and women is unsparing . . . [He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that--if only in some dark corner of our souls--it is there. Jacques le Sourd, The Journal News (White Plains, NY)

LaBute . . . continues to probe the fascinating dark side of individualism . . . [His] great gift is to live in and to chronicle that murky area of not-knowing, which mankind spends much of its waking life denying. John Lahr, The New Yorker

"

"The most legitimately provocative and polarizing playwright at work today." --David Amsden, New York magazine

"[LaBute's] view of modern men and women is unsparing . . . [He] is holding up a pitiless mirror to ourselves. We may not like what we see, but we can't deny that--if only in some dark corner of our souls--it is there." --Jacques le Sourd, The Journal News (White Plains, NY)

"LaBute . . . continues to probe the fascinating dark side of individualism . . . [His] great gift is to live in and to chronicle that murky area of not-knowing, which mankind spends much of its waking life denying." --John Lahr, The New Yorker

Neil LaBute received his Master of Fine Arts degree in dramatic writing from New York University and was the recipient of a literary fellowship to study at the Royal Court Theatre, London. He also attended the Sundance Institute's Playwrights Lab and is the Playwright-in- Residence with MCC Theatre in New York City. LaBute's plays include: bash: latter-day plays, The Shape of Things, The Mercy Seat, The Distance From Here, Autobahn, Fat Pig (Olivier Award nominated for Best Comedy), Some Girl(s), This Is How It Goes, Wrecks, Filthy Talk for Troubled Times, In a Dark Dark House, Reasons to Be Pretty (Tony Award nominated for Best Play) and The Break of Noon. In the spring of 2011 his play In a Forest, Dark and Deep premiered in London's West End. LaBute is also the author of Seconds of Pleasure, a collection of short fiction which was published by Grove Atlantic. His films include In the Company of Men (New York Critics' Circle Award for Best First Feature and the Filmmaker Trophy at the Sundance Film Festival), Your Friends and Neighbors, Nurse Betty, Possession, The Shape of Things, a film adaptation of his play of the same title, The Wicker Man, Lakeview Terrace and Death at a Funeral.