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How's the Pain? Pascal Garnier

How's the Pain? von Pascal Garnier

How's the Pain? Pascal Garnier


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Zusammenfassung

New edition of the classic noir of seaside misadventure by 'true heir to Simenon' Pascal Garnier, introduced by John Banville.

How's the Pain? Zusammenfassung

How's the Pain? Pascal Garnier

How's the Pain? is an off-kilter, blackly comic novel about an unlikely duo of a soon-to-be-retired assassin and a deadbeat young man, from the 'slyly funny' [Sunday Times] Pascal Garnier. 'Deliciously dark ... painfully funny' New York Times Death is Simon's business. And now the ageing vermin exterminator is preparing to die. But he still has one last job down on the coast, and he needs a driver. Bernard is twenty-one. He can drive and he's never seen the sea. He can't pass up the chance to chauffeur for Simon, whatever his mother may say. As the unlikely pair set off on their journey, Bernard soon finds that Simon's definition of vermin is broader than he'd expected ... Veering from the hilarious to the horrific, this offbeat story from master stylist Pascal Garnier is at heart an affecting study of human frailty.

How's the Pain? Bewertungen

Praise for Pascal Garnier 'At once extremely violent, irresistibly funny, and inexplicably moving, in the subtle way that only genuine art can manage to be' John Banville, New York Review of Books 'Garnier's take on the frailty of life has a bracing originality' Sunday Times 'Small but perfectly formed darkest noir fiction told in spare, mordant prose ... Recounted with disconcerting matter-of-factness, Garnier's work is surreal and horrific in equal measure' The Guardian 'Wonderful ... properly noir' Ian Rankin 'Garnier plunges you into a bizarre, overheated world, seething death, writing, fictions and philosophy. He's a trippy, sleazy, sly and classy read' A. L. Kennedy 'Combines a sense of the surreal with a ruthless wit' The Observer 'Tense, strange, disconcerting and slyly funny' Sunday Times 'A brilliant exercise in grim and gripping irony, it makes you grin as well as wince' Sunday Telegraph 'A mixture of Albert Camus and JG Ballard' FT 'Bleak, often funny and never predictable' The Observer 'A master of the surreal noir thriller - Luis Bunuel meets Georges Simenon' TLS 'A jeu d'esprit of hard-boiled symbolism, with echoes of Raymond Chandler, T.S. Eliot and the Marx Brothers' Wall Street Journal 'Brief, brisk, ruthlessly entertaining . . . Garnier makes bleakness pleasurable' NPR 'Ennui, dislocation, alienation, estrangement - these are the colours on Garnier's palette. His books are out there on their own: short, jagged and exhilarating' Stanley Donwood

Über Pascal Garnier

Pascal Garnier, who died in March 2010, was a talented novelist, short story writer, children's author and painter. From his home in the mountains of the Ardeche, he wrote fiction in a noir palette with a cast of characters drawn from ordinary provincial life. Though his writing is often very dark in tone, it sparkles with quirkily beautiful imagery and dry wit. Garnier's work has been likened to the great thriller writer, Georges Simenon. Emily Boyce is a translator and editor. She was shortlisted for the French Book Office New Talent in Translation Award in 2008, the French-American Translation Prize in 2016, and the Scott Moncrieff Prize in 2021. She lives in London.

Zusätzliche Informationen

GOR013848772
9781910477922
1910477923
How's the Pain? Pascal Garnier
Gebraucht - Wie Neu
Broschiert
Gallic Books
2020-07-09
176
N/A
Die Abbildung des Buches dient nur Illustrationszwecken, die tatsächliche Bindung, das Cover und die Auflage können sich davon unterscheiden.
Das Buch wurde gelesen, ist aber in gutem Zustand. Alle Seiten sind intakt, der Einband ist unversehrt. Leichte Gebrauchsspuren am Buchrücken. Das Buch wurde gelesen, sieht jedoch noch wie neu aus. Der Bucheinband weist keine sichtbaren Gebrauchsspuren auf. Gegebenenfalls ist auch ein Schutzumschlag verfügbar. Keine fehlenden oder beschädigten Seiten, keine Risse, eventuell minimale Knicke, keine unterstrichenen oder markierten Textstellen, keine beschrifteten Ränder.