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The Art and Science of Digital Compositing Ron Brinkmann (Hermosa Beach, CA, USA)

The Art and Science of Digital Compositing von Ron Brinkmann (Hermosa Beach, CA, USA)

The Art and Science of Digital Compositing Ron Brinkmann (Hermosa Beach, CA, USA)


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Zusammenfassung

Covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. This book provides over 250 different images and illustrations as well as a glossary of compositing and visual-effects terminology.

The Art and Science of Digital Compositing Zusammenfassung

The Art and Science of Digital Compositing Ron Brinkmann (Hermosa Beach, CA, USA)

Computer-generated visual effects are now used extensively in feature films, commercials, music videos, and multimedia. The backbone of this process, the final and most important step, is known as digital compositing. The Art and Science of Digital Compositing is a comprehensive reference that provides a complete overview of the technical and the artistic nature of this process. This book covers a wide range of topics from basic image creation, representation, and manipulation, to a look at the visual cues that are necessary to create a believable composite. Designed as both an introduction to the field as well as a valuable technical reference, this book should be of interest to both novices and professionals alike. Written by a working professional in the visual effects industry, the book provides over 250 different images and illustrations (including a 40-page color insert) as well as a complete glossary of compositing and visual-effects terminology. Also included are in-depth case studies from well-known films such as Speed, Independence Day, and Titanic.

Über Ron Brinkmann (Hermosa Beach, CA, USA)

Ron M. Brinkmann has been working in the field of Computer Graphics for over a decade, involved with both hardware and software design, development and use. His primary field of expertise is in visual effects for feature films, and his personal feature-film credits include: Contact, The Ghost and the Darkness, James and the Giant Peach, Die Hard with a Vengeance, Speed, Hideaway, Tall Tale, Last Action Hero, and In the Line of Fire. He has had articles published in a number of magazines, and has lectured on the topics of digital compositing and visual effects in the U.S., Europe, Australia and China.

Inhaltsverzeichnis

Acknowledgments Preface Chapter 1 Introduction to Digital Compositing Chapter 2 The Digital Representation of Visual Information Chapter 3 Basic Image Manipulation Chapter 4 Basic Image Compositing Chapter 5 Matte Creation and Manipulation Chapter 6 Time and Temporal Manipulations Chapter 7 Image Tracking and Stabilization Chapter 8 Interface Interactions Chapter 9 Image Viewing and Analysis Tools Chapter 10 Formats: Media, Resolution, and Aspect Ratios Chapter 11 Quality and Efficiency Chapter 12 Learning to See Chapter 13 Creating Elements Chapter 14 Integration Techniques Chapter 15 Advanced Topics Chapter 16 Case Studies Appendix A Digital Compositing Software: Tools and Features Appendix B Digital Compositing Software: Manufacturers Appendix C Digital Image File Formats Appendix D Common Film and Video Formats Bibliography Glossary Index

Zusätzliche Informationen

GOR002250915
9780121339609
0121339602
The Art and Science of Digital Compositing Ron Brinkmann (Hermosa Beach, CA, USA)
Gebraucht - Sehr Gut
Gebundene Ausgabe
Elsevier Science & Technology
1999-06-07
364
N/A
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