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Degas and the Italians in Paris Ann Dumas

Degas and the Italians in Paris By Ann Dumas

Degas and the Italians in Paris by Ann Dumas


$17.99
Condition - Like New
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Summary

Explores the relationship between Degas and his Italian friends and shows how he inspired each of them in their individual quests to capture modern life.

Degas and the Italians in Paris Summary

Degas and the Italians in Paris by Ann Dumas

Paris in the 1870s and 1880s was a vibrant, exciting place. At its artistic centre was Edgar Degas whose fascination with all things modern resulted in stunning paintings of racecourses, theatre and ballet scenes. Degas's art became a beacon for a group of Italian artists living in Paris, including Giovanni Boldini, Federico Zandomeneghi, Guiseppe de Nittis and Medardo Rosso. These artists were brought together not only by the common bond of friendship and a love of all things Italian but also by a mutual admiration and a passion for experimental art which resulted in extraordinary and powerful images. This book explores for the first time the relationship between Degas and his Italian friends and shows how he inspired each of them in their individual quests to capture modern life.

About Ann Dumas

Ann Dumas is an independent art historian specialising in nineteenth-century French painting. She is also Guest Curator at the Royal Academy.

Table of Contents

Contents: Degas and the Italians in Paris by Ann Dumas; Colour Plates:; Portraits; Music, Theatre & Cafe Concerts; The Races; The Ballet; Nudes & Interior Scenes; Landscape; Sculpture; Chronology; Exhibition Checklist and Artists' Biographies

Additional information

GOR013937357
9781903278482
1903278481
Degas and the Italians in Paris by Ann Dumas
Used - Like New
Paperback
National Galleries of Scotland
19990101
96
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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