This fresh orientation to Kant's Critique of Pure Reason presents his central theme, the development of his Transcendental Idealism, as a ground-breaking response to perceived weaknesses in his predecessors' accounts of experiential knowledge. This title traces the central theme of the Critique, the development of Kant's Transcendental Idealism. It offers new and original readings of the central arguments in both the Transcendental Aesthetic and the Transcendental Analytic. It appraises the success and failure of Kant's project in the Critique.