Popular Medievalism in the Romantic-Era Britain brings an important perspective to bear on the Romantic rage for the past. Simmons notes that medievalism, being a Victorian coinage, is usually discussed in the Victorian context and is usually conceived as in Ruskin, where the Romantic zeitgeisty notion of the three great ages of history takes a cultural and ethical turn to produce Classicalism, Medievalism, and Modernism ( 2). By going back to before Victorian medievalism and its obsession with duty, Simmons recovers other more popular ways of conceiving medieval period. - The Wordsworth Circle
Popular Medievalism in the Romantic-Era Britain's wide-ranging and meticulous analyses insist on the textuality not just of print sources but of structures, installations, and events. Simmons' uncovering of the connections among such disparate texts makes this a fascinating study. Her demonstration of the reach of populist discourse in the era deliberate and otherwise extends the work on Romantic radicalism and responses to it of Marcus Wood and Kevin Gilmartin.' - Kristin Samuelian
By investigating the popular medievalism of the Romantic era, Simmons adds an essential and hitherto neglected facet to the continually evolving picture of the reception of medieval culture in postmedieval times. As an important corrective to the widely investigated medievalist reinventions of Romantic and Victorian elites, her study focuses on expressions of medievalism adopted by or accessible to the less privileged classes of British society. Expertly conversant with the longue duree of English responses to the Middle Ages since the beginnings of early modernity, Simmons demonstrates how the increased literacy and interest in political matters among those in skilled occupations as well as those who performed manual labor led to a popular view of a uniquely English continuity between the nation's present and its medieval past. - Richard Utz, Professor and Chair, Department of English, Western Michigan University