Lessons in creative labor, solidarity, and inclusion under precarious economic conditions

As writers, musicians, online content creators, and other independent workers fight for better labor terms, romance authors offer a powerful exampleand a cautionary taleabout self-organization and mutual aid in the digital economy. In Love in the Time of Self-Publishing, Christine Larson traces the forty-year history of Romancelandia, a sprawling network of romance authors, readers, editors, and others, who formed a unique community based on openness and collective support. Empowered by solidarity, American romance writersonce disparaged literary outcastsbecame digital publishings most innovative and successful authors. Meanwhile, a new surge of social media activism called attention to Romancelandias historic exclusion of romance authors of color and LGBTQ+ writers, forcing a long-overdue cultural reckoning.

Drawing on the largest-known survey of any literary genre as well as interviews and archival research, Larson shows how romance writers became the only authors in America to make money from the rise of ebooksincreasing their median income by 73 percent while other authors plunged by 40 percent. The success of romance writers, Larson argues, demonstrates the power of alternative forms of organizing influenced by gendered working patterns. It also shows how networks of relationships can amplifyor mutecertain voices.

Romancelandias experience, Larson says, offers crucial lessons about solidarity for creators and other isolated workers in an increasingly risky employment world. Romancelandias rise and near-meltdown shows that gaining fair treatment from platforms depends on creator solidaritybut creator solidarity, in turn, depends on fair treatment of all members.