"Taiwanese Pilgrimage in China is symphonic. Its prevailing topic is that of cultural invention. Its leitmotif and the complex phenomenon whose historical ontology it pursues is minjian xinyang - popular belief. Its variations circle around a thematic of complicity that encompasses Taiwanese pilgrims and their hosts on the mainland; folkloric societies and tourists; historians and intellectuals; and, not least, the ethnographer and his interlocutors, consultants, patrons and clients. Hatfield is a virtuoso of his materials. He is erudite and always acute. He is also discerning enough to recognize that cultural invention never unfolds in the theoretical mid-air of one or another rational actor's strategic calculus. The subjects of Taiwanese Pilgrimage - the subject of the ethnographer included - instead emerge, find their feet and sometimes also lose them within a field of forces that is at once generative and constrictive of the very subjects they might and can be. Their task is that of sustaining an ethics of deferral that can busy itself with the codification and consolidation of popular belief and the cross-strait relations that it consecrates only if it leaves scrupulously to one side such spectral and spectrally political questions as the question of the unification of Taiwan with the mainland. The task isn't always easy, but Hatfield's engagement with it demonstrates the analytical bounty of keeping always in mind that our lives do not always repeat themselves, thatthey often face problems not of their own devising, and that the reflexive turn is thus neither a sure sign of self-absorption nor a move confined to the ethnographer alone. The result belongs squarely to the anthropological vanguard. It's a must-read." - James D. Faubion, Professor of Anthropology, Rice University and author of Shadows and Lights of Waco: Millennialism Today
