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Elizabeth Woodville David Baldwin

Elizabeth Woodville By David Baldwin

Elizabeth Woodville by David Baldwin


$19.99
Condition - Like New
Only 1 left

Summary

Elizabeth Woodville has been portrayed as an enchantress; as an unprincipled advancer of her family's fortunes and a plucky but pitiful queen in Shakespeare's histories. This work aims to uncover what she was really like.

Elizabeth Woodville Summary

Elizabeth Woodville by David Baldwin

Elizabeth Woodville has been portrayed as an enchantress; as an unprincipled advancer of her family's fortunes and a plucky but pitiful queen in Shakespeare's histories. She has been alternatively championed and vilified by her contemporaries and five centuries of historians, dramatists and novelists, but what was she really like? Elizabeth Woodville's role in the conflicts and dynastic struggles of the Wars of the Roses makes her a figure of importance and an assessment of her true place in these struggles is overdue.

About David Baldwin

David Baldwin is a medieval historian who has taught at the Universities of Leicester and Nottingham for many years. His historical research has focused on the great medieval families in the Midlands and he has contributed articles to historical journals and lectured regularly to societies and conferences in this field. He is the author of six books, "The Women of the Cousins' War: The Duchess, The Queen and the King's Mother," "The Lost Prince: The Survival of Richard of York," "Robin Hood: The English Outlaw Unmasked," "Stoke Field: The Last Battle of the Wars of the Roses," and "The Kingmaker's Sisters." He lives inLeicester."

Additional information

GOR011072255
9780750927741
0750927747
Elizabeth Woodville by David Baldwin
Used - Like New
Hardback
The History Press Ltd
2002-08-12
240
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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