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David Lewin's Morgengru^Dss David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton)

David Lewin's Morgengru^Dss By David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton)

Summary

David Lewin (1933-2003) was one of the most influential and revered figures in contemporary music theory. This book presents in print for the first time Lewin's legendary 1974 essay on Franz Schubert's Morgengruss.

David Lewin's Morgengru^Dss Summary

David Lewin's Morgengru^Dss: Text, Context, Commentary by David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton)

Arguably one of the most influential and revered figures in contemporary music theory, David Lewin (1933-2003) revolutionized the field through his work on transformational theory and theoretical methodology. David Lewin's Morgengruss: Text, Context, Commentary presents in print for the first time Lewin's legendary 1974 essay on Franz Schubert's Morgengruss, from the composer's song cycle, Die Schone Mullerin. The essay was central to Lewin's graduate teaching, and copies of it have circulated by hand through the music-scholarly community for decades. This book presents the original text of Lewin's essay along with over 200 graphical illustrations. Lewin's ability to present an artful and rich argument, based on a close reading of a short, simple score is but one of the wonders to behold in his masterful essay. At once deeply nuanced and widely accessible, Lewin's Morgengruss offers insight into Schubert's composition as well as the analytical process itself. Along with the full text of Lewin's essay, this book includes a small but pointed collection of essays interpreting the content and significance of Lewin's Morgengruss. Drawing on current research as well as personal reflection, editors Richard Cohn and David Bard-Schwarz, along with contributors Brian Kane and Henry Klumpenhouwer, elaborate on the analytical, pedagogical, and philosophical contexts of Lewin's work. Taken together, the editors and contributors offer a compelling account of the enduring significance of Lewin's writing. David Lewin's Morgengruss is a must-have for anyone with an interest in Lewin's career, Schubert's music, or music theory generally.

David Lewin's Morgengru^Dss Reviews

Lewin intended his essay for readers at various levels of musical ability, including well-informed amateurs, performers, music students in general, and critics. Nevertheless, the history of the essay shows that it is most appropriate for advanced music students and music theory scholars. Highly recommended.--Choice

About David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton)

David Bard-Schwarz is Associate Professor of Music Theory at the University of North Texas College of Music. He has written three single-authored books: Listening Subjects: Music, Psychoanalysis, Culture; Listening Awry: Music and Alterity in German Culture; and An Introduction to Electronic Art through the Teachings of Jacques Lacan: Strangest Thing. His specialties include music theory and music and cultural studies with an emphasis on semiotics and Post-Lacanian psychoanalysis. He is active in the iARTA research cluster bringing together work in music, engineering, computer science, and the arts at UNT and is editor-in-chief of MOEBIUS, a new journal publishing criticism in cultural studies and interactive media. Richard Cohn is Battell Professor of Music Theory at Yale University. He is author of Audacious Euphony: Chromaticism and the Triad's Second Nature (Oxford University Press, 2012). Two of his scholarly articles have earned the Society of Music Theory's Outstanding Publication Award. Cohn was founding editor of Oxford University Press's Studies in Music Theory, and served as Executive Editor of the Journal of Music Theory. His current research models metric states and syntaxes in classical and world-music repertories.

Table of Contents

Acknowledgements ; 1) Preface ; 2) Introduction by Richard Cohn ; 3) Lewin's Morgengruss ; 4) The Madeleine and the Rusk: from Morgengruss to 'Phenomenology' ; by Brian Kane ; 5) Lewin's Listeners Listening: The Beholder's Share by Richard Cohn ; 6) Technology, Methodology, Theory, and Analysis in Lewin's Morgengruss by Henry Klumpenhouwer ; 7) Appendix ; 9) Bibliography

Additional information

NPB9780199844784
9780199844784
019984478X
David Lewin's Morgengru^Dss: Text, Context, Commentary by David Bard-Schwarz (Associate Professor of Music, Associate Professor of Music, University of North Texas, Denton)
New
Hardback
Oxford University Press Inc
2015-10-08
224
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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