Shakespeare Without Women is a controversial study of female impersonation and the connections between dramatic and political representation in Shakespeare's plays.
Shakespeare Without Women Summary
Shakespeare Without Women by Dympna Callaghan
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.
Table of Contents
Introduction: Cleopatra had a way with Her 1. And All is Semblatice a Women's Part: Body Politics and Twelfth Night 2. The Castrator's Song: Female Impersonation on the Early Modern Stage 3. 'Othello was a White Man': Properties of Race on Shakespeare's Stage 4. Irish Memories in The Tempest 5. What is an Audience? Bibliography Index
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The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins