This is a major autobiography in the tradition of Cellini, Casanova, and Frank Harris. * Guardian *
Flynn set the record straight and is brutally honest in his posthumously published self-portrait. This restored version of the 1959 original contains numerous passages deletec from earlier editions for fear of lawsuits-he was equally brutal in his portrayal of many Hollywood big shots-plus eight pages of photos and a new introduction by biographer Jeffrey Meyers. * Library Journal *
A document on Hollywood life far beyond its fan magazine fascination... . [Flynn] delivers footnotes to film history that are hard to come by. * San Francisco Chronicle *
The Tasmanian-actor portrays himself not as a debonair swashbuckler but as a chronically unhappy soul whose luck talent and high spirits vaulted him to fame, even as he remained unfulfilled until the end. * Indiana Gazette *
This restored version of the 1959 original contains numerous passages deleted from earlier editions for fear of lawsuits- he was equally brutal in his portrayal of many Hollywood big shots- plus eight pages of photos and a new introduction by biographer Jeffery Meyers. -- Michael Rogers * Library Journal *
In the book, Flynn writes in a loose style, sometimes reminiscent of someone writing in a journal, sometimes as though he is talking to a friend. -- Carol Moulton * Clifton Record *
the confessions of a rake, unsparing of himself or anyone else... * Newsweek *
William Macy isn't a fan of horses, althoughn he understands the power of aniamals on the human spirit. But there's something about telling stories about animals that allows us to epathize ever more than we can with people. * The Scoop *
Incredibly absorbing... . Just as in life, Flynn spares himself nothing-and from his book emerges the same roguish charm that endeared his celluloid incarnation to millions. * Saturday Review *
Flynn writes cleverly, as he talked. He has left us a good book. * The New York Times *
