Introduction
Part I: Contemporary modes of production
1. Socialist Filmmaking or a Question of Leadership?: The working methods of Ken Loach
David Archibald (University of Glasgow)
2. American Independent Cinema and the Capitalist Mode of Production: Complicating Narratives of Subversion and Transgression
Kevan A. Feshami (University of Colorado Boulder)
3. Crowdfunded, or just crowded? The independent film market in the age of the Internet.
William Brown (University of Roehampton)
4. Mode of Production as a Political Statement: Veiko Ounpuu's Films and Methods
Eva Naripea (Estonian Academy of Arts)
5. When Cinephilia Returned to Russia: Marxist cinema responds to Neo-liberal Capitalism.
Lars Kristensen (University of Skoevde)
6. Uncranking the System: Ceicine and the Case of Adirley Queiros's White Out, Black Stay (2014)
Alfredo Suppia (State University of Campinas)
Part II: Class relations, crisis and debt
7. Joanna Hogg: Bourgeois Social Realism and the Enduring Significance of Capitalism and Class
Paul Dave (University of Teesside)
8. The Rise of the Entrepreneur: Jia Zhangke's Words of a Journey
Corey K.N. Schultz (University of Southampton)
9. The representation of class in recent Greek cinema
Rosa Barotsi (ICI Berlin)
10. Neoliberal Crisis, Debt and European Cinema
Ewa Mazierska (University of Central Lancashire)
11. Representation of Class Struggle in Contemporary American Cinema, or 'Socialism for Dummies'
Doru Pop (Babes-Bolyai University, Cluj)
Part III: Capitalism, Love and Sex
12. 'Boy-Image Meets Girl-Image and Consummates Image-Romance': Shulamith Firestone's The Dialectic of Sex, The Cultural Contradictions of Capitalism and Romantic Comedies.
Anna Backman Rogers (University of Gothenburg)
13. Love can save the day: charting two decades of love and sex within capitalism as seen through the cinematic lens of Bret Easton Ellis
Kamila Rymajdo (Kingston University)
14. Queering Bakhtin: Sexual Carnival and Class Struggle in Eytan Fox's The Bubble
Bruce Williams (William Paterson University of New Jersey)