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Anomaly Jamie McKendrick

Anomaly By Jamie McKendrick

Anomaly by Jamie McKendrick


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Summary

In a period when nations are retracting within their borders, the vivid and intricate poems of Jamie McKendrick's new collection Anomaly are especially timely, and speak of a fragile legacy of openness and interconnectedness.

Anomaly Summary

Anomaly by Jamie McKendrick

In a period when nations are retracting within their borders, the vivid and intricate poems of Jamie McKendrick's new collection Anomaly are especially timely, and speak of a fragile legacy of openness and interconnectedness. The poems playfully twin Bologna and Bombay, the South Downs and the Camargue, the imagined and the actual. Often intensely visual, here more than ever, McKendrick's poems engage with artists as various as the Taviani brothers, Sanchez Cotan, Bhupen Khakhar and Giacometti, and are as alive to the sea-bound cityscapes of Liverpool and Venice as to the rocky landscapes of Sardinia and Slovenia.

About Jamie McKendrick

Jamie McKendrick was born in Liverpool in 1955. He is the author of six collections of poetry, including The Marble Fly (1997), winner of the Forward Prize for Best Collection and a Poetry Book Society Choice; Ink Stone (2003), shortlisted for the T. S. Eliot Prize and the Whitbread Poetry Award; and Crocodiles & Obelisks, shortlisted for the Forward Prize. Out There (2012) won the Hawthornden Prize. An earlier selection of his poems was published as Sky Nails (2000), and he is editor of 20th-Century Italian Poems (2004). The Embrace, his translations of Valerio Magrelli's poetry, won the Oxford-Weidenfeld and the John Florio prizes.

Additional information

GOR013044677
9780571349210
0571349218
Anomaly by Jamie McKendrick
Used - Like New
Hardback
Faber & Faber
20181101
64
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
The book has been read, but looks new. The book cover has no visible wear, and the dust jacket is included if applicable. No missing or damaged pages, no tears, possible very minimal creasing, no underlining or highlighting of text, and no writing in the margins

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