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Complete Idiot's Guide to Songwriting Joel Hirschhorn

Complete Idiot's Guide to Songwriting By Joel Hirschhorn

Complete Idiot's Guide to Songwriting by Joel Hirschhorn


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Condition - Very Good
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Summary

Aimed at all inspiring songwriters, this guide shows how much musical training is needed, how to put together basics of a song for popular genres and how to tailor songs to different industries.

Complete Idiot's Guide to Songwriting Summary

Complete Idiot's Guide to Songwriting by Joel Hirschhorn

Song has been a part of people's culture since the beginning. From classical and rock and roll to country and jazz--there are hundreds of thousands of budding and established songwriters burning to write the next great hit. The Complete Idiot's Guide(R) to Songwriting is the one-stop resource for all inspiring songwriters to learn how much musical training is needed, how to put together the basics of a song for various popular genres, how to tailor songs to different industries (TV and film), how to get great ideas, where to find collaborators, publishers and agents and how the Internet is impacting the world of songwriting.

About Joel Hirschhorn

Two-time Oscar-winning songwriter Joel Hirschhorn began his musical career as an RCA recording artist. As a key member of the Brill Building pop era, he wrote, with Al Kasha, a series of million-selling rock singles. Some of the artists who have recorded and performed his songs include Elvis Presley, Maureen McGovern, Aretha Franklin, The Chambers Brothers, Frank Sinatra, Mama Cass, Roy Orbison, Sheena Easton, blues legend Taj Mahal, Julian Lennon, and Charlie Rich. Hirschhorn's Hollywood years opened with songs from such films as The Cheyenne Social Club (featuring a collector's item duet pairing Henry Fonda and James Stewart) and Jack Lemmon's The April Fools. He later won Academy Awards for The Morning After from The Poseidon Adventure and We May Never Love Like This Again from The Towering Inferno. His score for Pete's Dragon and his song Candle on the Water received Oscar nominations. I'd Like to Be You for a Day, his title tune from the Jodie Foster film Freaky Friday, was nominated for a Golden Globe. He received Tony nominations for two Broadway musicals: Seven Brides for Seven Brothers and Copperfield, starring Mary Elizabeth Mastrantonio. Hirschhorn's career includes work as a scorer and orchestrator for prime-time specials starring Billy Preston, Frankie Valli, and Marilyn McCoo. His songs have been spotlighted in such motion pictures as Eyes Wide Shut, The Ice Storm, and Slums of Beverly Hills and television shows such as South Park and The Simpsons. He also scored several seasons of Knots Landing. The most recent of Hirschhorn's six books is the best-selling Titanic Adventure. He is presently a concert and theater critic for Variety.

Table of Contents

HOW TO WRITE A HIT. 1. Music Training: Is It a Must? Looking at the Hit-Makers. Don't Delay Your Dreams. Put Your Musical Knowledge to Work. Preserving and Submitting Your Songs.2. A Century of Songwriting. Hey Mr. Ziegfeld, Here I Am! Give My Regards to Broadway. Crosby, Sinatra, and the Pop Singers. The Role of Rock. Michael Jackson and the MTV Explosion. A Rock Genre Mini Guide.3. The Idea Is King. Banish Writer's Block. Inspiring Characters. Universal Themes. Mining the Media. Simple Starting Points. The Four-Minute. Screenplay. Priming the Idea Pump. Travel the Highway to Hits.4. What Comes First, Words or Music? Working Styles. Preparing to Create Songs for Artists. Major Songwriters Weigh In. The Rhythm in Your Mind. Feel Your Way to Creativity.5. Finding and Keeping Collaborators. A Roller Coaster Worth Riding. Work Habits. How to Find Your Partner. Cold, Hard Business. Inspiration from Across the Sea. 6. Title Power! Titles That Tell the Story. Titles That Set the Tone. Title Triggers. Words That Work. First-Line Fever.II. DRESSING UP THE SONG. 7. The Visual Songwriter. A Unique Visual Personality. The Visual Lifestyle. The Other Four Senses. Writing with the Five Senses.8. Cooking Up Your Hit Ingredients. Rhyming Time. Wayward Rhymes. In Search of Colorful Rhyme Words. Other Hit Ingredients. Act Out Your Lyrics.9. Repetition and Hooks. Styles of Musical Repetition. Hooking the Audience. Creating and Testing Your Hooks. Instrumental Icing: Figures and Riffs.10. The Secrets of Hit Melody Writing. What Makes a Tune Singable? Reliable Rhythms. Prosody.11. Rewriting. Bad Reasons to Avoid Rewriting. Starting the Process. Staying with It.III. GENRE GOLD. 12. Crossing Into Country. Nashville News.Musical Elements of Country. Recommended Listening.13. R&B and Rap. Birth of the Blues. Minstrel to Motown. The Many Faces of R&B. Rap and Hip-Hop. Rhythm and Rap.14. Commercials and Children's Music. Composing Commercials. Ready to Write. What's the Deal? The Market for Children's Songs. Respecting the Minds of Children.15. Movie Scoring and Songwriting. Scorers as Songwriters. The Fat Spy-No Jurassic Park. In the Scoring Game. Spotting the Picture. Practical Scoring Tips. Get Into It.16. Live and Animated Musicals. Not Eliza Doolittle, but a Dragon. Keeping Up with Current Styles. Dialogue vs. Music. The Song's the Thing. The Performers and the Song. Every Job Is Your Job. I Just Want This Small Change. Monetary Rewards from a Musical.17. Musicals for the Stage. Creating an Illusion of Reality. Important Musical Categories. Get It on the Stage. Hits from Shows. Special Material.IV. SHOWING IT OFF. 18. The Power of a Hit Demo. Choosing Your Musical Approach Finding the Singer and Musicians. Figuring Costs. Making the Demo. Demos at Home. Demo Presentation.19. Becoming a Great Song Salesman. Casting Your Songs. Selling to a Publisher Sign with a Publisher or Freelance?20. The Singer/Songwriter. What Makes a Good Agent? Managers. A Lawyer You Can Trust. Do You Have What It Takes? Feed the Media Monster. Signing with a Label. Come to the Cabaret.21. Home Studio. Embracing the Technology. Equipment Recommendations. Making Music. Engineering a Session.22. Producing Your Own Hit Songs. How Do You Learn to Produce? A Producer's Job. Planning a Recording Date. In the Studio. Musical Approaches. Experiment. Top Producers.V. FINISHING TOUCHES. 23. Royalties and Guilds. The Big Three: ASCAP, BMI, and SESAC. ASCAP. BMI. SESAC. Copyright Basics. The Songwriter's Guild of America.24. What's Happening in Songwriting? The Good New Days. Steve Schalchlin's Internet Miracle. Napster. Working the Internet. The Importance of History. Looking Ahead. Reading the Grammy Tea Leaves. Common Denominators.Appendixes. Appendix A. Glossary. Appendix B. Resources. Appendix C. Contests and Competitions.Index.

Additional information

GOR002257446
9780028641447
0028641442
Complete Idiot's Guide to Songwriting by Joel Hirschhorn
Used - Very Good
Paperback
Dorling Kindersley Ltd
20010606
360
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
This is a used book - there is no escaping the fact it has been read by someone else and it will show signs of wear and previous use. Overall we expect it to be in very good condition, but if you are not entirely satisfied please get in touch with us

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