Laurel Nakadates work in performance, photography, and film demonstrates an unusual level of humanity, as she foregrounds vulnerability, emotion, and sensitivity with a striking level of candor. On January 1, 2010, Nakadate (*1975 in Austin) decided to cry every day for one year, documenting the action in photographs and initiating a ritual that would let her deliberately subject herself to sadness. The artist produced a forceful performance that addresses issues of self-reflection, portraiture, and emotion. Her photographs provide deep insight into her private life, abashing observers while at the same time arousing their compassion. Art-historical quotations or bad images underscore the artistic character of the scenes. Nakadates catalogue of tears makes denied emotions visible, present, palpable, and momentary.