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Call Me the Seeker Michael J. Gilmour (Providence College, Canada)

Call Me the Seeker By Michael J. Gilmour (Providence College, Canada)

Call Me the Seeker by Michael J. Gilmour (Providence College, Canada)


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Summary

Examines the significance of religion to popular music. This gives an overview of research in the area, and argues that popular songs frequently draw from and interpret themes, found in the conceptual and linguistic worlds of the major religions and reveal underlying attitudes in those who compose and consume them.

Call Me the Seeker Summary

Call Me the Seeker: Listening to Religion in Popular Music by Michael J. Gilmour (Providence College, Canada)

One of very few books on religion and popular music. Covers a wide range of musical styles, from heavy metal and rap to country, jazz and Broadway musicals. The essays are written by academics and informed by their enthusiasm for the music. Many boo

Call Me the Seeker Reviews

Gilmour has provided readers with a invaluable tool that will assist in the way we look at music -- aligning popular song with the core of its deeper religious message so that we might come to understand the full scope of the art form. Gilmour is one of the most knowledgeable religion writers in the country... Accordingly, Seeker is like no other book on pop music because it looks like at what's behind the medium- investigating the inner/sacred meaning of song, dissecting the holy force driving the rhythms that drive us. Obviously, the text is quite bold and it covers much ground, with a through analysis of many of the religious themes that are found in popular music. Recommended because: Of its uniqueness and depth, and because it attempts to unmask a component of the art form that often goes unrecognized by scholars and critics...Michael Gilmour's book, then, is meant to shine a direct light on the fact that religion is found everywhere in the history of popular song. In the end, Seeker teaches us that if we can see what inspired the creation of the songs, a deeper richer experience will be attained by the listener. -electricreview.net, December 2005 -- electricreview.net
Gilmour has assembled an eclectic collection of essays by 17 scholars from the US, Canada, Finland and the Czech Republic. Notes appear at the end of each chapter and the book is well indexed. -The Bible and Critical Theory, 2006
Reference & Research Book News/ August 2006 -- mention
'This books gives a taste of the extent to which popular music in its range of productive and consumptive practices deals in ideas about God. That theologians should attempt to interact with this all-pervasive discourse seems not only timely but necessary. I for one hope that Gilmour's book will prompt publishers to see the merit in more extended work in this area.' Pete Ward, Kings College London, Studies in World Christianity -- Pete Ward, Kings College London, Studies in World Christianity
Gilmour's book is a welcome addition to the growing academic literature on the sources, themes and audiences of religion in popular music. The range of topics, and the variety of perspectives brought to bear on the material, make this an original and interesting collection. -Mary Ann Beavis, Associate Professor of Religious Studies, St. Thomas More College, and founder and academic editor of the Journal of Religion and Popular Culture -- Mary Ann Beavis * Blurb from reviewer *
Call Me the Seeker should be the latest library addition for scholars and students working in the field of popular culture and religion. Gilmour's volume gives us what the field has been missing-a broad, expansive, and easily accessible study of popular music. Pick up this book, strap on the headphones, and follow Dylan, Guthrie, U2, Sinead O'Connor, Tim McGraw, and the like on a lyrical journey through popular culture and religion. -Conrad Ostwalt, author of Secular Steeples: Popular Culture and the Religious Imagination -- Conrad Ostwalt * Blurb from reviewer *
One rarely unearths an in-depth study of religion and popular music like this essay collection - Library Journal, August 2005 * Library Journal *
Modern-day scholars frequently study the interplay between religion and popular culture, especially comic books, movies, television, and literature; however, one rarely unearths an in-depth study of religion and popular music like this essay collection...[Gilmour's] book is recommended for religious studies collections in larger academic libraries. - Library Journal * Library Journal *

About Michael J. Gilmour (Providence College, Canada)

Michael Gilmour is Assistant Professor of New Testament at Providence College in Otterburne, Manitoba, Canada and the author of Tangled Up in the Bible: Dylan's Use of Scripture.

Table of Contents

Introduction; Michael J. Gilmour. Radios in Religious Studies Departments: Preliminary Reflections on the Study of Religion in Popular Music; Section One: Religious Sources behind Popular Music; Daniel Maoz. Woman as Shekhinah: Kabbalistic References in Bob Dylan's Infidels; James Knight. I Ain't Got No Home in This World Anymore: Protest and Promise in Woody Guthrie and the Jesus Tradition; Michael J. Gilmour. The Prophet Jeremiah, Aung San Suu Kyi, and U2's All That You Can't Leave Behind: On Listening to Bono's Jeremiad; Section Two: Religious Themes in Popular Music; Karl J. McDaniel. Suffering and Sacrifice in Context: Apocalypticism and Life beyond Les Miserables. Brian Froese. Comic Endings: Spirit and Flesh in Bono's Apocalyptic Imagination, 1980-1983; Anna Kessler. Faith, Doubt, and the Imagination: Nick Cave on the Divine-Human Encounter; Paul Martens. Metallica and the God That Failed: An Unfinished Tragedy in Three Acts; Harold Penner. The Nature of His Game: A Textual Analysis of Sympathy for the Devil; J. R.C. Cousland. God, the Bad, and the Ugly: The Vi(t)a Negativa of Nick Cave and P. J. Harvey; Randall Holm. Pulling Back the Darkness: Starbound with Jon Anderson; Section Three: Religion and Popular Music's Audiences; Angela M. Nelson. God's Smiling on You and He's Frowning Too: Rap and the Problem of Evil; Tim Olaveson. Transcendent Trancer: A Scholar Experiences Rave in Central Canada; Andreas Hager. Under the Shadow of the Almighty: Fan Reception of Some Religious Aspects in the Work and Career of the Irish Popular Musician Sinead O'Connor; Thomas Nesbit. Planet Rock: Black Socioreligious Movements in Early 1980s Electro; Melanie Takahashi. Spirituality through the Science of Sound: The DJ as Technoshaman in Rave Culture; Maxine Grossman. Jesus, Mama, and the Constraints on Salvific Love in Contemporary Country Music.

Additional information

NLS9780826417138
9780826417138
0826417132
Call Me the Seeker: Listening to Religion in Popular Music by Michael J. Gilmour (Providence College, Canada)
New
Paperback
Bloomsbury Publishing PLC
2005-09-01
322
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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