Over the past decade, German artist Michael Riedel has incorporated a wide range of media into his practice, including large-scale works on canvas, fabric works, film and video, audio recordings, installations, and events. A central focus of his work is the publishing and production of artists books, catalogues, brochures, posters, and cards. In 2000, Riedel and Dennis Loesch launched a collaborative project in an abandoned building in Frankfurt. Using the buildings address Oskar-von-Miller Strasse 16as the name for their new space, they created an experimental laboratory where they restaged cultural events held at other locations throughout the city, effectively duplicating them in space and time. Occasionally, these re-presented eventswhich included book readings, film screenings, art exhibitions, and music concertswere hosted on the same night as the actual event elsewhere in the city, but mostly, they were presented days or weeks after the original activity took place. According to Riedel, We presented one concept over and over again. To create a distance to some original that had been done at another place. With the call of record, label, playback, a group of young artists reiterated the language of a citys cultural offerings, often without a full understanding of what they were reciting, but always with an acute aesthetic interest in the faults of transmission and transference.