Paul Steinbecks magisterial Sound Experiments [is] a look at the AACM through a set of ten compositions, improvisations, and recordings.Sound Experiments contains many transcriptions and technical descriptions, but Steinbeck is a fluid writer and there are stories to tell.
-- Sasha Frere-Jones * Bookforum *
"In this erudite but lively account, Steinbeck presents the first in-depth study of the AACMs musicians and music as he traces the evolution of the group's innovative work over many decades. . . . An important addition to the jazz bookshelf." * Booklist *
"[Steinbeck] gives a good account of the cultural, social, political, and economic contexts from which the music emerged, and is keenly aware of the racialised gatekeeping which has all too often kept AACM composers from getting their due. . . . Ultimately, the reader comes away with a greater appreciation of the AACM's achievements: Great Black Music, from Ancient to the Future." * The Wire *
"Musical analysis dominates the text, but Steinbecks thoughtful writing makes the descriptions work on several levels: for a student, or anyone interested in learning about how the music works; for a non-musician who may breeze past the score excerpts but dig into the plain-speak breakdowns; or the attentive fan who can relate the structures discussed to stage dynamics they have witnessed." * New York City Jazz Record *
"The Association for the Advancement of Creative Musicians has achieved worldwide recognition for its approaches to notated composition, improvisation, technology, and intermedia. Steinbecks extensive historical and methodological analysis of a wide range of AACM musical practices makes this book indispensable to an understanding of the leading role of Afrodiasporic experimentalism in the past, present, and future of new music." -- George Lewis
"I really appreciate Paul Steinbecks scholarship in putting together Sound Experiments. I have always found him to be an engaging writer. I enjoy how he wrote about my compositions on my album Sound, as well as the different iterations of my composition Nonaah. He really dug deep!" -- Roscoe Mitchell
"Steinbeck has written an excellent analysis of the works of composers-performers from the AACM. A clear and concise investigative text, it looks into many aspects involved in creating a work of musical art. His writing is creative and has an expressive use of language. I recommend his book to everyone." -- Wadada Leo Smith
"One of the most significant avant-garde collectives of the twentieth century, the Association for the Advancement of Creative Musicians (AACM) remains a powerful force in the early 21st century. In Paul Steinbeck, the AACM has found a chronicler and scholar of passion, erudition, and discipline, the very qualities that have made it such an enduring institution." -- Adam Shatz
"Rather than a tour through AACM history, Sound Experiments serves as a deep dive into six of the organizations seminal albums across the decades, which makes listening to the music while reading a whole new kind of experience. Be it Abramss ambitious Levels and Degrees of Light from 1968 or Mitchells 1977 solo-concert album Nonaah Steinbeck makes an authoritative guide." * The Slowdown *
"Before analyzing each work, Steinbeck traces its genesis in a detailed monograph, illustrating the context in which it was born and the biography of the protagonists. (...) The result is a seminal work on the AACM, the first of its kind." -- Angelo Leonardi * AllAboutJazz.com *
"Steinbeck provides some musical notations and deeper analysis of the sounds from his perspective as a musicologist very illuminating to us, as we tend to have much more of a visceral response to these records." * Dusty Groove *
"Paul Steinbeck,Sound Experiments: The Music of the AACM(Chicago) Musician and Washington University, St. Louis music professor Steinbeck provides a stimulating history of the Association for the Advancement of Creative Musicians (AACM) founded on Chicagos South Side in 1965. He offers in-depth explorations of innovative performances by members of the organization, from Anthony BraxtonsComposition 76to Wadada Leo SmithsThe Freedom Summersand Nicole MitchellsMandorla Awakening II: Emerging Worlds. He demonstrates the ways these pieces contributed singular approaches to notation, instrumentation, and musical form, creating fresh sounds to contemporary music." -- Henry Carrigan * The Journal of Roots Music No Depression *
A Seminary Coop Notable Book of the Year * / *
A Seminary Coop Notable Book of the Year * / *
"Paul Steinbeck,Sound Experiments: The Music of the AACM(Chicago) Musician and Washington University, St. Louis music professor Steinbeck provides a stimulating history of the Association for the Advancement of Creative Musicians (AACM) founded on Chicagos South Side in 1965. He offers in-depth explorations of innovative performances by members of the organization, from Anthony BraxtonsComposition 76to Wadada Leo SmithsThe Freedom Summersand Nicole MitchellsMandorla Awakening II: Emerging Worlds. He demonstrates the ways these pieces contributed singular approaches to notation, instrumentation, and musical form, creating fresh sounds to contemporary music." -- Henry Carrigan * The Journal of Roots Music No Depression *
Essential reading for anyone interested in jazz and creative music. Steinbeck continues the ongoing task of situating the work of the AACM within the history of experimental music and composition, while always making clear the myriad ways that this music sets itself apart. * Musicworks *
"The music of the AACM is certainly some of the most artistically challenging music ever recorded.Sound Experimentsis therefore an invaluable companion for those looking to dip their toes into this fascinating discography, as well as a rich source of information for those looking to dive more deeply into the depths of musical analysis." -- Tom Spargo * All About Jazz *
"Not only does this book provide a wonderful addition to jazz scholarship, but Steinbeck has demonstrated that these artists should be talked about right along with other leading figures of the avant-garde music scenes in the 1960s and beyond. This book could prove useful to many researchers outside of the jazz realm, such as composers, performers of experimental music, musicologists, and general fans of experimental music." * Music Reference Services Quarterly *
"Not only does this book provide a wonderful addition to jazz scholarship, but Steinbeck has demonstrated that these artists should be talked about right along with other leading figures of the avant-garde music scenes in the 1960s and beyond. This book could prove useful to many researchers outside of the jazz realm, such as composers, performers of experimental music, musicologists, and general fans of experimental music." * Music Reference Services Quarterly *
