Introduction Complexities of Genre, of Mediation and of Community Mads Krogh and Morten Michelsen Section I: Music Radio Ethnographies 1. Migrant Radio, Community and (New) Fado: The Case of Radio ALFA Pedro Moreira, Universidade Nova, Portugal 2. On Sonic Assemblage: Indigenous Radio and the Management of Heteroglossia Daniel Fisher, University of California, Berkeley, USA 3. Voicing Otherness on Air: Theorizing Radio Through the Figure of Voice Kristine Ringsager, Aalborg University, Denmark, and Sandra Lori Pedersen, University of Copenhagen, Denmark Section II: Music Radio and Nation Building 4. Broadcasting the New Nation: Radio and the Intentions Behind National Genres in Latin America Marcio Pinho and Julio Mendivil, Goethe-Universitat, Frankfurt 5. The Edufication and Musicalization of Radio: CKUA, Good Music, and Uplifting Taste Brian Fauteux, University of Alberta, Canada 6. Mediated Soundscapes: Representations of the National in the Soundscape Call-in Programme AEanien ilta Meri Kytoe, University of Tampere, Finland 7. Dispositives of Sound: Folk Music Collections, Radio and the National Imagination, 1890s-1960s Johannes Muske, University of Zurich, Switzerland Section III: Music Radio: Genre and Mediation 8. Mediatization - Radiofication - Musicalization Alf Bjoernberg, University of Gothenburg, Sweden 9. Formats, Genres and Abstraction: On Musico-Generic Assemblages in the Context of Format Radio Production Mads Krogh, Aarhus University, Denmark 10. Music Radio's Mediations of the Music-Cultural High/Low Divide Before the 1980s Morten Michelsen, University of Copenhagen, Denmark Section IV: Music Radio Convergences 11. Format, the Literature of American Popular Music and Mr Crump Eric Weisbard, University of Alabama, USA 12. MTV and the Remediation of FM radio Ariane Holzbach, Federal Fluminense University, Brazil 13. Music Radio as a Format Remediated for the Stream-Based Music Use Andreas AEgidius, University of Southern Denmark
