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American Cinema of the 1950s Professor Murray Pomerance (Independent scholar, Canada)

American Cinema of the 1950s By Professor Murray Pomerance (Independent scholar, Canada)

American Cinema of the 1950s by Professor Murray Pomerance (Independent scholar, Canada)


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Summary

America in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Throughout the decade Hollywood was under siege. This tumultuous decade also saw some of Hollywood's most talented filmmakers producing some of the best-loved movies in the history of cinema.

American Cinema of the 1950s Summary

American Cinema of the 1950s: Themes and Variations by Professor Murray Pomerance (Independent scholar, Canada)

America in the 1950s was a place of sensational commercial possibility coupled with dark nuclear fears and conformist politics. Cold war hysteria and anti-communist witch hunts influenced a culture already falling under the spell of suburbia, television and a brave new world of luxury goods.Throughout the decade Hollywood was under siege: from the Justice Department pressing for big film companies to divest themselves of their theatre holdings; from the middle classes, whose retreat to family entertainment inside the home drastically decreased the film-going audience; and from the House Un-American Activities Committee, attempting to purge the country of dissenting political views. This tumultuous decade also saw some of Hollywoods most talented filmmakers - John Ford, Alfred Hitchcock, Vincente Minnelli, Nicholas Ray and Billy Wilder - producing some of the best-loved movies in the history of cinema, including From Here to Eternity, Sunset Boulevard., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause.

About Professor Murray Pomerance (Independent scholar, Canada)

Murray Pomerance is a professor in the Department of Sociology at Ryerson University, which he chairs. He is editor of the Horizons of Cinema series at SUNY Press and co-editor, with Lester D. Friedman, of the Screen Decades series in which this volume appears.

Table of Contents

Timeline: The 1950s Murray Pomerance (Ryerson University, USA) Introduction: Movies and the 1950s Mary Beth Haralovich (University of Arizona, USA) 1950: Movies and Landscapes Kristen Hatch (University of California, USA) 1951: Movies and the New Faces of Masculinity Sumiko Higashi (State University of New York, USA) 1952: Movies and the Paradox of Female Stardom Rebecca Bell-Metereau (Texas State University, USA) 1953: Movies and Our Secret Lives Michael DeAngelis (DePaul University's School for New Learning) 1954: Movies and the Walls of Privacy Jon Lewis (Oregon State University, USA) 1955: Movies and Growing Up ... Absurd Barry Keith Grant (Brock University, USA) 1956: Movies and the Crack of Doom Murray Pomerance (Ryerson University, USA) 1957: Movies and the Search for Proportion Adrienne L. McLean (University of Texas, USA) 1958: Movies and Allegories of Ambivalence Arthur Knight (College of William and Mary, Williamsburg, USA) 1959: Movies and the Racial Divide Select Academy Awards, 1950-1959 Works Cited and Consulted Contributors Index

Additional information

GOR013893979
9781845204365
1845204360
American Cinema of the 1950s: Themes and Variations by Professor Murray Pomerance (Independent scholar, Canada)
Used - Well Read
Hardback
Bloomsbury Publishing PLC
2005-12-01
272
N/A
Book picture is for illustrative purposes only, actual binding, cover or edition may vary.
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