This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. This collection will be of great value to students and scholars.
This volume of primary source material examine the thoughts and ideas behind music in Britian during the ninteenth century. Sources explore music critics, listening to music, music education, and philosophy. The collection of materials are accompanied by an introduction by Rosemary Golding, as well as headnotes contextualising the pieces. This collection will be of great value to students and scholars.
Volume 3: Thinking about Music
Introduction Volume 3
Part 1. Music Criticism
1. Richard Mackenzie Bacon, Plan of the Work and First Lines of Vocal Criticism in The Quarterly Musical Magazine and Review vol. 1 no. 1 (January 1818), pp. 1-10 and 72-75
2. Anon., Amateur Criticism in The Quarterly Musical Magazine and Review vol. 6 no. 22 (April 1824), Letter to the Editor from Adelos, pp. 171-177
3. Charles Kensington Salaman, On Musical Criticism in Proceedings of the Musical Association 2nd session (1875-6), pp. 115
4. Edmund Gurney, Musical Criticism, The Power of Sound (London: Smith, Elder & Co., 1880), pp. 524-539
5. John Stainer, The principles of musical criticism in Proceedings of the Royal Musical Association 7th session (18801), pp. 3552
6. Frederick Crowest, Phases of Musical England (London: Remington, 1881), Chapter 1 Musical Criticism pp. 1-30
7. Charles V. Stanford Some aspects of musical criticism in England in Fortnightly Review vol. 55 no. 330 (June 1894), pp. 826-31
8. John F. Runciman, Musical Criticism and the Critics in The Fortnightly Review vol. 56 no. 332 (August 1894), pp. 170-183, and The gentle art of musical criticism in The New Review vol. 12 (1895), pp. 612-624
9. Ernest Newman, Gluck and the Opera: a Study in Musical History (London: Bertram Dobell, 1895), Introduction pp. 1-15
10. Edward A Baughan, The Futility of Criticism in Monthly Musical Record vol. 27 no. 323 (November 1897), pp. 241-243
11. Hermann Klein, Thirty Years of Musical Life in London, 1870-1900 (New York: Century, 1903), pp. 42-58
12. Henry Davison, Music during the Victorian Era. From Mendelssohn to Wagner: Memoirs of J.W. Davison (London: Reeves, 1912), pp. 68-76
Part 2. Listening to Music
13. William Henry, Cursory Remarks on Music, Especially on the Sources of the Pleasure which it Communicates in Edinburgh Monthly Magazine vol. 1 no. 4 (July-August 1817), pp. 343-347 and 459-462
14. William Crotch, On the Present State of the Public Taste of this Nation, in Substance of Several Courses of Lectures on Music (London, Longman, Rees, Orme, Brown, and Green, 1831), pp. 148-158
15. William Gardiner, On the Faculties of the Ear, The Music of Nature (London: Longman, Rees, Orme, Brown, Green, and Longman, 1832), pp. 2-11
16. Charles H. Purday, Letter to the Editor in The Musical World vol. 3 no. 38, (2 December 1836), p. 191
17. Vernon, The Influence of Music on the Public in The Musical Times and Singing Class Circular vol. 5 no. 100 (1 September 1852), pp. 59- 60
18. J.B. Macdonnell, Classical Music and British Musical Taste in Macmillan's Magazine vol. 1 no. 5 (March 1860), pp. 383-389
19. H.R. Haweis, The Listener and Planes of Emotion, in Music and Morals (London: Strahan & Co., 1871), pp. 94-100
20. Edmund Gurney, The Two Ways of Hearing Music, The Power of Sound (London: Smith, Elder & Co., 1880), pp. 104-111
21. John Stainer, Music in its relation to the Intellect and the Emotions (London: Novello & Co., 1892), pp. 49-64
22. W.H. Hadow, Faculties of Appreciation, Studies in Modern Music second series (London: Seeley and Co., 1895), pp. 3-25
23. Herbert Francis Hayes Newington, Some Mental Aspects of Music in Journal of Mental Science vol. 43 no. 183 (October 1897), pp. 704-723
Part 3. Music Education
24. Anne Gunn, An Introduction to Music (Edinburgh: C. Stewart & Co, 1803), pp. i-xiii
25. Richard Mackenzie Bacon [Vetus], 'On the Objects of Musical Education' in The Quarterly Musical Magazine and Review vol. 1 no. 4 (October 1818), pp. 421-428
26. F.W. Horncastle, Plan for the Formation of an English Conservatorio The Quarterly Musical Magazine and Review vol. 4 no. 14 (April 1822), pp. 129-133
27. Anon., Musical tuition; Letter to the Editor from The Father of a Family, The Quarterly Musical Magazine and Review vol. 6 no. 23 (1824), pp. 306-309
28. Eleanor Geary, Musical Education; with practical observations on the art of piano-forte playing (London: DAlmaine & Co., 1841), pp. 5-17
29. Olivia Dussek Buckley, Musical Truths; or, an Analysis of Music (London: published for the author, 1843), pp. 13-30
30. Joseph Mainzer, Music and Education (London: Longman, Brown, Green and Longmans, 1848), pp. 88-96
31. John Hullah, Music as an Element of Education (London: John W. Parker and Son, 1854), p. 3-30
32. John Evans and W.G. McNaught, Order and Manner of Teaching, in The School Music Teacher (London: J. Curwen & Sons, 1888), pp. 255-268
33. Bettina Walker, My Musical Experiences (London: Richard Bentley and Son, 1890), pp. 15-31
34. C.F. Abdy Williams, Development of the Modern Requirements for Musical Degrees, A Short Historical Account of the Degrees in Music at Oxford and Cambridge (London and New York: Novello, Ewer & Co., 1893), pp. 40-44
35. Anon., Mr. J. Spencer Curwen on the Tonic Sol-Fa Notation in Strand Musical Magazine vol. 1 no. 4 (April 1895), pp. 254-255
36. Charles Halle, The Royal Manchester College of Music in Strand Musical Magazine vol. 1 no. 5 (May 1895), pp. 323-329
Part 4. Theory and Philosophy
37. George Farquhar Graham, Essay, An Account of the first Edinburgh Musical Festival (Edinburgh: James Ballantyne & Co., 1816), pp. 139-142, 147-162
38. William Kitchener, Observations on Vocal Music (London: Hurst, Robinson & Co., and Edinburgh: Archibald Constable & Co., 1821), pp. 1-17
39. Lady Elizabeth Eastlake, 'Music' in The Quarterly Review vol. 83 issue 166 (August 1848), pp. 481-86, 509-515
40. Herbert Spencer The Origin and Function of Music in Frasers Magazine (1857), pp. 396-408
41. Henry Wylde, Music in its Art-Mission, in Music in its Art-Mysteries (London: L. Booth, 1867), pp. 105-124
42. 4Henry C. Lunn, Descriptive Music in The Musical Times and Singing Class Circular vol. 13 no. 310 (1 December 1868), pp. 599-601
43. Edmund Gurney, On Some Disputed Points in Music in Fortnightly Review vol. 20 no. 115 (July 1876), pp. 106-130.
44. H. R. Haweis, My Musical Life (London: Longmans, Green, and Co., 1884), Book 2 Part 2 The Rationale of Music in pp. 136-159
45. Richard Wallaschek and James McKeen Cattell, On the Origin of Music in Mind vol. 16 no. 63 (July 1891), pp. 375-388
46. C. Hubert H. Parry, The Art of Music (London: Kegan Paul, Trench, Trubner & Co., 1893), Chapter 1 Preliminaries pp. 1-15
47. Ebenezer Prout, The Relation of Musical Theory to Practice in The Monthly Musical Record vol. 25 no. 292 (1 April 1895), pp. 73-77
48. Samuel Coleridge Taylor, 'On Music', Address to students at Streatham School of Music (November 1905), reprinted in Berwick Sayers, Samuel Coleridge-Taylor, Musician: His Life & Letters (London 1915), pp. 177-179
Index